RILEY, JAMES WHITCOMB. Born at Greenfield, Indiana, 1853; entered
journalism at Indianapolis, 1873; wrote first verses, 1875; first book
of verse, "The Old Swimmin'-Hole and 'Leven More Poems," published in
1883; numerous volumes since then.
LANIER, SIDNEY. Born at Macon, Georgia, February 3, 1842; served in
Confederate Army, and suffered exposure which resulted in consumption;
studied and practised law till 1873; then decided to devote life to
music and poetry; played first flute in the Peabody Symphony Orchestra
at Baltimore; lecturer on English literature at Johns Hopkins
University, 1879-81; complete poems published 1881; died at Lynn, North
Carolina, September 7, 1881.
TIMROD, HENRY. Born at Charleston, South Carolina, December 8, 1829;
educated at the University of Georgia, studied law and supported himself
as a private tutor until the Civil War; war correspondent and then
assistant editor of _The South Carolinian_, at Columbia, until Sherman
burned the town; died at Columbia, South Carolina, October 6, 1867; his
poems, edited by Paul Hamilton Hayne, published 1873.
HAYNE, PAUL HAMILTON. Born at Charleston, South Carolina, January 1,
1830; graduated at the University of South Carolina, edited _Russell's
Magazine_ and the _Literary Gazette_, and served for a time in the
Confederate Army; first poems published 1855; complete edition, 1882;
died near Augusta, Georgia, July 6, 1886.
SIMMS, WILLIAM GILMORE. Born at Charleston, South Carolina, April 17,
1806; admitted to bar, 1827, but abandoned law for literature and
journalism; first poems published 1827; resided at Hingham,
Massachusetts, 1832-33, where longest poem, "Atalantis," was written;
first novel, "Martin Faber," published 1833, and followed by many
others; returned to South Carolina, 1833, and died at Charleston, June
11, 1870.
CHAPTER IV
PAINTERS
If background and tradition are needed for literature, they are even
more needed for art, and it is curiously worth noting that the
background and traditions of England did not serve for her child across
the sea. In both literature and art, so far as vital and significant
achievement is concerned, the young nation had to find itself, and,
starting from a rude and rough beginning, work its way upward of its own
strength. Perhaps in no other way may the youth of America be so
completely realized as by the thought that all of real importance in
both literature and art which she can boast has been produced within the
past ninety years--little more than the three score years and ten which
the Psalmist assigned as the span of a single life.
We do not mean to say that European influence is not plainly to be
traced in both our art and literature. There is a family resemblance, so
to speak, as between a child and its parents, and yet the child has an
individuality of its own. In literature, Cooper, Poe, Hawthorne,
Longfellow, Whitman are distinctively American; and, as we shall find,
so are our masters of painting and sculpture.
Public-domain text, read in full here on John Shaqi.
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