Next morning I had entered upon the deferred inheritance. There are no princes in America--at least with crowns on their heads--but a generous-minded member of some royal family received my letter of introduction. Ere the day closed I was a member of the two clubs, and booked for many engagements to dinner and party. Now, this prince, upon whose financial operations be continual increase, had no reason, nor had the others, his friends, to put himself out for the sake of one Briton more or less, but he rested not till he had accomplished all in my behalf that a mother could think of for her debutante daughter. Do you know the Bohemian Club of San Francisco? They say its fame extends over the world. It was created, somewhat on the lines of the Savage, by men who wrote or drew things, and has blossomed into most unrepublican luxury. The ruler of the place is an owl--an owl standing upon a skull and cross-bones, showing forth grimly the wisdom of the man of letters and the end of his hopes for immortality. The owl stands on the staircase, a statue four feet high; is carved in the wood-work, flutters on the frescoed ceiling, is stamped on the note-paper, and hangs on the walls. He is an ancient and honorable bird. Under his wing 'twas my privilege to meet with white men whose lives were not chained down to routine of toil, who wrote magazine articles instead of reading them hurriedly in the pauses of office-work, who painted pictures instead of contenting themselves with cheap etchings picked up at another man's sale of effects. Mine were all the rights of social intercourse, craft by craft, that India, stony-hearted step-mother of collectors, has swindled us out of. Treading soft carpets and breathing the incense of superior cigars, I wandered from room to room studying the paintings in which the members of the club had caricatured themselves, their associates, and their aims. There was a slick French audacity about the workmanship of these men of toil unbending that went straight to the heart of the beholder. And yet it was not altogether French. A dry grimness of treatment, almost Dutch, marked the difference. The men painted as they spoke--with certainty. The club indulges in revelries which it calls “jinks”--high and low, at intervals--and each of these gatherings is faithfully portrayed in oils by hands that know their business. In this club were no amateurs spoiling canvas, because they fancied they could handle oils without knowledge of shadows or anatomy--no gentleman of leisure ruining the temper of publishers and an already ruined market with attempts to write “because everybody writes something these days.”