American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, SargentVan Dyke, John C.
History
American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent
Van Dyke, John C.
Painters -- United States; Painting -- United States
The major events in Mr. Sargent’s life as we read them or hear them
told to-day seem in no way striking or startling. He has moved along
well-trodden paths, in a well-ordered career, responsive always to the
teaching of his youth, and reflective of his social and intellectual
surroundings. He did not wholly achieve art, for some of it was born
to him and some of it, perhaps, was thrust upon him. He came to it
early, grew up in its atmosphere, and was under its spell at an
impressionable age. Which is to say that he is not a self-made painter
in the Inness-Wyant sense, but something of a traditional painter in
the La Farge sense. Training started him aright, but his great success
is, of course, not wholly due to that. Genius alone can account for the
remarkable content of his work.
He was born in Florence in 1856. His parents were Americans residing
in Italy at the time of his birth. The father was from Gloucester,
Massachusetts, and had studied medicine in Philadelphia, afterward
remaining in the latter city to practise his profession. He had met
and married a Miss Singer of an old Philadelphia family, and later
they had gone to Florence to live. Legally, therefore, the painter is
an American, but the legal tie is about all that binds him to us. We
like to claim him because he is a celebrity, but in reality he is an
American only in a nominal way. He was not reared or educated here,
he has not lived here, he has not fought in our quarrels or failed in
our failures or succeeded in our successes. The greater part of his
life has been passed abroad amid other scenes and other peoples. As
a boy he travelled about Europe with his parents, speaking German as
his first acquired language, if I report him aright, and gaining the
bulk of his schooling in Italy and Germany. At eighteen he went to
Paris and entered the _atelier_ of Carolus Duran--at that time perhaps
the most famous of the French portrait-painters. It was not until
1876, when Sargent was twenty years old, that he saw the shores of the
United States. That was his first visit. He did not stay for any length
of time, and what were his impressions of the land and the people
we do not know. Several times since then he has been here for short
periods, but one or another of the large European capitals has been
his residence. Since 1884 his permanent abiding-place has been London,
though he lived for a time in Paris, and just now (1918) he is again
here in America.
Public-domain text, read in full here on John Shaqi.
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