American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
No, we may not compare American Renaissance after this manner. We are
entirely too young a nation for that kind of architecture which
presupposes a renowned antiquity which we lack. But what we may do
becomingly is to select the homely and humble cottages of Great Britain,
such cottages as the one we are shown where lived the poet Robert Burns,
for instance. Place those, if you please, beside the farmhouses of our
Colonial régime, and then you may be surprised to find we have something
to be proud of, even though it be the fashion to belittle these
essentially good antecedents by modern architectural scholars. I am
reminded herein of the story that is told of a noted professor of
music--Kullak, who, having discovered that the number on the programme
which the orchestra had rendered to the great delight of everyone, was a
Strauss waltz (it must have been one of the less known as “Autumn
Leaves,” it could not have been the hackneyed “Blue Danube,” which has
been so much overrated), turned to his pupils, ever loyal to their
master’s prejudices, beside him, and furtively whispered, “Well, don’t
say anything about it, boys; but it’s awfully nice!” The sentiment thus
expressed is the cultivated sentiment of the average architect toward
the early Renaissance of America. He appears to be constrained by some
artificial position--some pedantic make-believe that allows him to
acknowledge the merit of a Witch-Colonial exemplar (see Plate XXI), with
only the poorest kind of grace.
But I have already explained why the old stuff remaining in America is
so “awfully nice” as to charm all unprejudiced artists who have studied
our history, so that mystery about it, I trust, need be no
PLATE XXI.
[Illustration: DERBY-WARD HOUSE, SALEM, MASS. 17TH CENTURY.]
[Illustration: SOUVENIR OF ABIGAIL AND DELIVERANCE HOBBS (TWO ALLEGED
WITCHES), OF TOPSFIELD, MASS. 17TH CENTURY.]
longer. The paramount business in hand is to get rid of American
nonsense, to put it entirely out of the head, if possible, that nothing
may stand in the way of returning meekly and in a receptive spirit to
those ancient and honorable first principles of ours which were
unerring. This surgical-like operation accomplished, let us see what may
be done with the Derby-Ward house, erected A.D. 1680 in Salem (Plate
XXI), to make it habitable, convenient and desirable to-day.
Public-domain text, read in full here on John Shaqi.
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