paper to American Renaissance that has appeared in periodical literature. Besides this article on Colonial Annapolis, wherein all its remarkable buildings are duly accredited and illustrated, editions _de luxe_ in folio, on Colonial architecture, may also be had of the Bates & Guild Company, of Boston, publishers, containing splendid photogravures of the Chase house, the Harwood, Hammond or Lockerman house,[1] the Brice-Jennings house and other enchanting representatives of our most celebrated régime. These revered authorities, together with Westover, Shirley and Brandon--plantations along the James River--are so well presented in this way to architectural students that I have concluded to reserve the space at my disposal to other subjects which, while nearly as interesting, and exemplifying nearly as well the particular phase of our architectural history under discussion, have a decided advantage in that they have been little exploited (with the exception of Mt. Vernon) in books. But no writer upon American Renaissance can afford to slight the subject of Annapolis in the letterpress of his work, for its didactic value is immense. The very plan of its streets was formulated according to the principles of art uninfluenced in the smallest degree by America’s ubiquitous ogre, commercialism, which was here relegated, by municipal ordinance, to certain extremely restricted sections of the city, beyond which it trespassed at its peril. The relation these patches of territory bore to the whole equalled, perhaps, one-fourth. In other words, the Annapolitans looked upon commercialism as the mere machinery of their household, and the idea was to sacrifice no more room to its offices than was absolutely necessary. Commercialism during the grand epoch was essentially a steward’s department, and the Annapolitans would have been the last people in the world to tolerate its meddling with architecture. Moreover, Annapolis stands for the supreme moment of the grand epoch. It was here that the treaty of peace between Great Britain and the United States was formally ratified in 1784, and here Washington went through the ceremony of returning his commission as commander-in-chief of the army to the august PLATE XXVIII. [Illustration: MOUNT VERNON ON THE POTOMAC. The West Front.] power whence it had come to him. The constitution itself owes its first glory to Annapolis, where the initial proceedings were held. Annapolis and American Renaissance are, therefore, indissolubly associated. You speak of one and the other follows as a natural consequence. The amplification of the American dwelling-house was here carried to a higher degree of excellence and refinement than has been elsewhere attained, before or since, for Annapolis was practically finished by 1770, and, happily for this generation, has staid so.