American renaissance; a review of domestic architecture — John Shaqi
American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
Looking backward, let us pay an imaginary visit to Bristol, R. I., in
1810--Bristol at the height of its Renaissance. Perhaps your engagement
is an invitation to supper or high tea at George De Wolf’s, on Hope
Street. (See Plate XXXVIII). They entertain elegantly, and this evening
the entire grounds comprised within the close are illuminated by
lanterns. One lingers in an enchanted garden, intensely absorbed
conversing with the architect of it all--Russell Warren; the scene
delightfully recalling a visit to Versailles, and the work of Louis
XIV’s famous gardener architect, Le Nôtre. It is thus you nearly fail to
heed the interruption caused by the servant who approaches along the
box-bordered walk to say that supper is served in the large dining-hall.
I only wish I had the space to continue this make-believe reminiscence;
but the economy of the age in which I live forbids.
I once wrote for the _House Beautiful_, also for the _Architectural
Review_, papers wholly devoted to the
PLATE XXXIX.
[Illustration: LOCAL COLOR, OLD PHILADELPHIA.]
Renaissance architecture of Bristol, and anyone who should be
particularly interested in this local development of his national school
I would respectfully refer to the indexes of those publications. There
are no Colonial houses exactly like those of Bristol. It has a unique
development of its own. If the De Wolf-Colt mansion-house is the most
elaborate of its contemporaries it is not the more remarkable. The house
once belonging to Captain Churchill, sometime master of our queen of
privateers, the “Yankee,” erected in 1807, is a most fascinating
exemplar of its genus (Plate XL). Nearly all the Bristol houses have
parapet rails, the detail of which is exquisite. The rails of the
Churchill house are particularly fine, while gracefully poised upon a
ball at each corner is a carved American eagle, perhaps intended to be
emblematic of the victories gained over the British by their intrepid
master. Another uncommon development greets us in the Norris house
(Plate XL). It has two parapet rails, to accomplish which distinction
the third story is narrowed up, I should judge about two feet all around
the building. The De Wolf-Middleton house, situated on a peninsula
forming Bristol harbor, called “Papasquæ,” erected in 1808, is still
another splendid home with flanking wings and intermediate passages, in
which respect savoring of adorable Annapolis. (Plate XLII). The view
shown is really the rear-view though it be the carriage approach.
Then follow so many beautiful things in Bristol to describe that I quite
despair of making selections. There are doorways--bewitching doorways
galore, one or two I have already used to illustrate American
Renaissance, and I hope to find room for others without prejudice to
other towns.
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