American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
a superabundance of wealth, she could not have gratified a sentiment
wherein a sinister and selfish side out-weighs its virtue. You see, how
very few of us may be trusted with money! For it would have been a so
much finer monument to Mr. Ward had this house been bestowed by his
legatee upon some poorer though deserving couple whom the Lord had
destined to be of use to Him:--it would have been infinitely better
dedicated as a museum of the Transitional period for its didactic
benefit to art students; but I fear I am the only human being, excepting
the care-takers perhaps, who has derived any tangible satisfaction from
No. 23 Bond street since the sad dénouement which closed it so tightly
to the busy stream of life constantly passing.[6]
I suppose the finest specimen of Transitional domestic architecture
extant in the United States is the Bennett house on County Street in New
Bedford (see Plate LI, also Frontispiece), erected about 1840, for a
full description of which I would respectfully refer the reader to the
_Architectural Review_ (Boston) for July, 1901. There is nothing
disappointing about this Transitional exemplar; it was one of those
grateful notes of hope at a season of national melancholia. Wonderfully
imposing from its great size, it will grieve the reader to learn that
the magnificent pile is already crumbling from lack of appreciation, and
it will not be long before the dealer in second-hand building materials
carries it away, piece by piece, to his yard, so little do the people of
New Bedford care for the most interesting building by far that their
city possesses to-day. The Bennett house is the only successful
adaptation of the Greek-temple motive, _pur et simple_, to domestic
purposes that has come to my knowledge.
And here I want to say a single word about restoration. If by any chance
you live in a house of the Transitional period that illustrates as good
architecture
PLATE L.
[Illustration: HOUSE OF MRS. RICHMOND-DOW, WARREN, R. I.]
[Illustration: HOUSE OF MRS. RICHMOND-DOW, WARREN, R. I.
View from the Close.]
PLATE LI.
[Illustration: HOUSE ON HIGH STREET, MIDDLETOWN, CONN.]
[Illustration: THE BENNETT HOUSE, COUNTY ST., NEW BEDFORD, MASS.]
as that of the de Zeng house on High Street in Middletown (see Plate
LIII), don’t try to make it Colonial as I have seen a tendency among
ill-advised people to do of late. Let me say to you that you have
something already so much ahead of average modern Colonial--“as she is
spoke”--that it would be a sin against the decalogue of art to alter or,
indeed, do other with it than religiously to guard. Just keep your
Transitional exemplar in the same admirable state of repair in which you
see the de Zeng house at Middletown--and enjoy it. You will thereby have
fulfilled your duty to art and to the future generations who will rise
up and call you blessed.
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