American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
The artist contends with a temperament unusually exacting and, at times,
very inconvenient. I remember having to ride my bicycle twelve miles one
afternoon some years ago, to a bakery in another town from where I
lived, to gratify a whim of temperament, I suppose, for some
particularly delicious tea rolls that were manufactured there. I felt I
could not possibly get along with the plain bread and butter I knew we
had for supper. I purchased the rolls, and was tying the precious
bundles to the handle-bars of my wheel when a carriage drove up in front
of the bakery. It contained two rather unprepossessing women who were
evidently acquainted with the baker’s wife, judging from the familiar
way they called to her from the curb. The baker’s wife came out upon the
doorstep, and inquired what kind of bread she should bring them. It was
then, without an idea of causing the slightest shock to the
sensibilities of the man they saw, with a bicycle, they replied with
picturesque indifference--“Oh, any kind, just so long as it is bread to
fill-up on!” Overhearing this I could not help making the necessary
mental memoranda what unpromising subjects for art influences were the
temperaments of these women--how little education could really do for
them! how utterly impossible it would be for them to change their
temperaments, and how, in all probability, they had much rather be dead
than to be continually harrassed by the fastidious obligations of art!
But the case I have chosen is, perhaps, extreme. There is a pleasure for
most temperaments in art--a certain happiness that it contributes in a
mild way. The average temperament experiences through art a sensation
akin to that produced by music, and like music to the average
temperament, art is by no means a necessity. It is merely the graceful
accomplishment to be cultivated after the serious business of life is
off the stage for the day, and we turn to playthings; whereas in the
case of the artist, it is his whole existence. My mother ridiculed me
about episodes like that of the rolls, but always commended my talent
for drawing. Although I tried to explain, she refused to believe that my
talent for drawing was only one result of the
PLATE LXXXIX.
[Illustration: MISS SIMPLICITY--HER HOUSE.]
[Illustration: DETAIL--PRINCESSGATE.]
Public-domain text, read in full here on John Shaqi.
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