American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
temperament which sent me for the rolls. For does it nor naturally
follow that if any old bread will do to live on, why, any old house will
do to live in, and I should have had no interest for anything better,
certainly no incentive to the laborious grind of the drawingboard?
Still, in no instance, I believe, is art or charity--for they are one
and the same--wholly absent, if sometimes obscure, in the temperaments
of civilized people. Without the artistic sense, charity is the uncut
diamond, it yet accomplishes its own mission; while again, the gentle
passion reveals itself in singular guises, we recognize it with a little
patience. Unique among which guises let me cite the astute financier’s
well-known love of flowers,--and here let me tell you something besides!
It may be a strange observation, but the love of one’s fellow beings,
and an inordinate love of flowers, in a man, rarely go together.
Robespierre, at the fête to the Supreme Being, walked ahead of his
colleagues, laden down with flowers, and away back in the morning of
time the avocation of Cain was the cultivation of flowers. So, whenever
you see a man passionately fond of flowers (professional florists
excepted) you may know that every atom of charity which, normally,
should be distributed throughout his whole nature, has been focussed at
this one point; and it behooves you to mind the painted notice to small
craft you have seen suspended from the guardrail of an awe-inspiring
ocean liner in port, namely--
.........................................
. .
. Keep clear of this ship’s propellers! .
. .
.........................................
In his conservatories, surrounded by brilliant flora from all over the
world, it is quite different; here you will find your astute financier
the most charming of hosts; but in your business deals with him, have a
care!
No true artist could be entirely happy to look at the world from the
financier’s standpoint. He may listen attentively to the cunning of
expediency fascinatingly unfolded, for his own good, for the good of his
family, and the assurance of the future, he may heartily wish to
exchange temperaments with that financier, temporarily, till he shall
have gained independence of the world commercial, in vain. The
unaccommodating
PLATE XC.
[Illustration: GREEN TREE INN--GERMANTOWN.]
Public-domain text, read in full here on John Shaqi.
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