American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
In the future poetry of America, Lake George will hold the place of Loch
Katrine in Scotland. The best idea that can be given of it, indeed, to a
person who has seen Loch Katrine, is to say, that it is the Trosachs on
a little larger scale. There is the same remarkably clear water in
both,—the same jutting and bold shores, small green islands, and bright
vegetation; and the same profusion of nooks and bays. It struck me at
Loch Katrine, that the waters seemed to have overflowed the dells of an
undulating country, and left nothing visible but the small green
hill-tops loaded with vegetation. The impression was owing, no doubt, to
the reach of the shrubs and grass to the very edge of the water; and the
same thing produces the same effect at Lake George. When the bosom of
the lake is tranquil, the small islands, with their reflections below,
look like globes of heaped-up leaves suspended in the air.
The extraordinary purity of the waters of Lake George procured for it
the name of Lake Sacrament; and every stranger is struck with their
singular transparency. It is singular, that the waters on every side of
it,—those of Lake Champlain, for example, of the Hudson, and of the
whole region between the Green Mountains and the Mississippi,—are more
or less impregnated with lime, while Lake George alone is pellucid and
pure. It receives its waters, probably, from subjacent springs.
The surface of this lake is said to be one hundred feet higher than Lake
Champlain. Another, and probably a more correct estimate, makes the
difference three hundred. There are three steps to the falls, which form
the outlet into the latter lake; and the lower one, when the snow is
melting in spring, is a cataract of uncommon beauty. Lake George is
frozen over from three to four months; and it is remarked of it, that
the ice does not sink, as in Lake Champlain, but gradually dissolves.
Before it became a part of the fashionable tour, this lake was a
solitude, appropriated more particularly by the deer and the eagle. Both
have nearly disappeared. The echo of the steam-boat, that has now taken
the place of the noiseless canoe,—and the peppering of fancy sportsmen,
that have followed the far-between but more effectual shots of the
borderer’s rifle,—have drawn from its shores these and other
circumstances of romance. The only poetry of scene which can take the
place of that of nature, is historical and legendary; and ages must
lapse, and generations pass away, and many changes come over the land,
before that time. We are in the interregnum, now, least favourable for
poetry.
Caldwell is a flourishing town, built at the end of the lake, and
remarkable for nothing, in itself, but a famous hotel, where
scenery-hunters dine. We turn from this too succulent theme, to give an
extract from the works of a grave and eminent divine; proving, by its
glowing enthusiasm, the effect of this lovely scenery even on minds of
the most serious bent.
Public-domain text, read in full here on John Shaqi.
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