American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic natureWillis, Nathaniel Parker
General
American Scenery, Vol. 1 (of 2): or, Land, lake, and river illustrations of transatlantic nature
Willis, Nathaniel Parker
United States -- Description and travel
“The whole scenery of this lake is greatly enhanced in beauty and
splendour, by the progressive change which the traveller sailing on its
bosom perpetually finds in his position, and by the unceasing
variegations of light and shade which attend his progress. The gradual
and the sudden openings of scoops and basins, of islands and points, of
promontories and summits—the continual change of their forms, and their
equally gradual and sudden disappearance,—impart to every object a
brilliancy, life, and motion, scarcely inferior to that which is seen in
the images formed by the camera-obscura, and in strength and
distinctness greatly superior. Light and shade are here not only far
more diversified, but are much more obvious, intense, and flowing, than
in smooth, open countries. Every thing, whether on the land or water,
was here affected by the changes of the day; and the eye, without
forecast, found itself, however disposed on ordinary occasions to
inattention, instinctively engaged, and fastened with emotions
approximating to rapture. The shadows of the mountains, particularly on
the west, floating slowly over the bosom of the lake, and then softly
ascending that of the mountains on the east, presented to us, in a wide
expanse, the uncommon and most pleasing image of one vast range of
mountains slowly moving up the ascent of another.
“On the evening of Friday, the 1st of October, while we were returning
from Ticonderoga, we were presented with a prospect superior to any
which I ever beheld. An opening lay before us, between the mountains on
the west and those on the east, gilded by the departing sunbeams. The
lake, alternately glassy and gently rippled, of a light and exquisite
sapphire, gay and brilliant with the tremulous lustre already mentioned
floating upon its surface, stretched in prospect to a vast distance,
through a great variety of larger and smaller apertures. In the chasm,
formed by the mountains, lay a multitude of islands, differing in size,
shape, and umbrage, and clothed in deeply-shaded green. Beyond them, and
often partly hidden behind the tall and variously-figured trees with
which they were tufted, rose, in the west and south-west, a long range
of distant mountains, tinged with a deep misty azure, and crowned with
an immense succession of lofty pines. Above the mountains, and above
each other, were extended in great numbers long streaming clouds, of the
happiest forms, and painted with red and orange light, in all their
diversities of tincture.
“To complete the scenery of this lake, the efforts of cultivation are
obviously wanting. The hand of the husbandman has already begun to clear
these grounds, and will, at no great distance of time, adorn them with
all the smiling scenes of agriculture. It does not demand the gift of
prophecy to foresee, that the villas of opulence and refinement will,
within half a century, add here all the elegances of art to the beauty
and majesty of nature.”
Public-domain text, read in full here on John Shaqi.
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