American Scenes, and Christian Slavery: A Recent Tour of Four Thousand Miles in the United StatesDavies, Ebenezer
History
American Scenes, and Christian Slavery: A Recent Tour of Four Thousand Miles in the United States
Davies, Ebenezer
Slavery -- United States; United States -- Description and travel
On Saturday, the 30th, we set off to seek private lodgings. Led by a
board having on it in large letters the words "Private Boarding," we
"inquired within," found what we wanted, and engaged for eight dollars
per week each. We then went to pay our bill at the "St. Charles's," and
to bring away our carpet-bag. We had been there two nights, had had one
dinner, two teas, and two breakfasts. These meals, as we did not like
to join the hundreds at the "ordinary," were served to us (in a very
_ordinary_ way however) in our bedroom. In fact, the waiting was
miserably done. And yet for this we had the pleasure of paying eleven
dollars,--say _£2. 6s._! We gladly bade adieu to the "St. Charles's."
It suited neither our taste nor our pocket. Nevertheless, it is a
magnificent concern. The edifice was finished in 1838 by a company, and
cost 600,000 dollars. The gentlemen's dining-room is 129 feet by 50,
and is 22 feet high; having four ranges of tables, capable of
accommodating 500 persons. The ladies' dining-room is 52 feet by 36.
The house contains 350 rooms, furnishing accommodation for between 600
and 700 guests; and it was quite full when we were there. The front is
adorned with a projecting portico, supported by six fine Corinthian
columns, resting upon a rustic basement. The edifice is crowned with a
large dome, forty-six feet in diameter, having a beautiful Corinthian
turret on the top. This dome is the most conspicuous object in the
city. Viewed from a distance, it seems to stand in the same relation to
New Orleans as St. Paul's to London. The furniture of this immense
establishment cost 150,000 dollars. A steam-engine, producing a very
disagreeable tremor, is constantly at work in the culinary department.
Public-domain text, read in full here on John Shaqi.
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