American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
On the evening in question, the tenth of July, the Doctor and myself
found ourselves in an unusually metaphysical mood. We lit our large
meerschaums, filled with fine Turkish tobacco, in the core of which
burned a little black nut of opium, that, like the nut in the fairy
tale, held within its narrow limits wonders beyond the reach of kings;
we paced to and fro, conversing. A strange perversity dominated the
currents of our thought. They would _not_ flow through the sun-lit
channels into which we strove to divert them. For some unaccountable
reason they constantly diverged into dark and lonesome beds, where a
continual gloom brooded. It was in vain that, after our old fashion,
we flung ourselves on the shores of the East, and talked of its
gay bazaars, of the splendors of the time of Haroun, of harems and
golden palaces. Black afreets continually arose from the depths of
our talk, and expanded, like the one the fisherman released from
the copper vessel, until they blotted everything bright from our
vision. Insensibly, we yielded to the occult force that swayed us,
and indulged in gloomy speculation. We had talked some time upon the
proneness of the human mind to mysticism, and the almost universal
love of the Terrible, when Hammond suddenly said to me, “What do you
consider to be the greatest element of Terror?”
The question, I own, puzzled me. That many things were terrible, I
knew. Stumbling over a corpse in the dark; beholding, as I once did,
a woman floating down a deep and rapid river, with wildly-lifted
arms, and awful, upturned face, uttering, as she sank, shrieks that
rent one’s heart, while we, the spectators, stood frozen at a window
which overhung the river at a height of sixty feet, unable to make the
slightest effort to save her, but dumbly watching her last supreme
agony and her disappearance. A shattered wreck, with no life visible,
encountered floating listlessly on the ocean, is a terrible object, for
it suggests a huge terror, the proportions of which are vailed. But
it now struck me for the first time that there must be one great and
ruling embodiment of fear, a King of Terrors to which all others must
succumb. What might it be? To what train of circumstances would it owe
its existence?
“I confess, Hammond,” I replied to my friend, “I never considered the
subject before. That there must be one Something more terrible than any
other thing, I feel. I cannot attempt, however, even the most vague
definition.”
“I am somewhat like you, Harry,” he answered. “I feel my capacity to
experience a terror greater than anything yet conceived by the human
mind;--something combining in fearful and unnatural amalgamation
hitherto supposed incompatible elements. The calling of the voices in
Brockden Brown’s novel of ‘Wieland’ is awful; so is the picture of the
Dweller of the Threshold, in Bulwer’s ‘Zanoni’; but,” he added, shaking
his head gloomily, “there is something more horrible still than these.”
Public-domain text, read in full here on John Shaqi.
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