American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
General
American short stories : $b Selected and edited with an introductory essay on the short story by Charles Sears Baldwin
American fiction -- 19th century; Short stories, American
“Oh, Rip Van Winkle!” exclaimed two or three, “Oh, to be sure! that’s
Rip Van Winkle yonder, leaning against the tree.”
Rip looked, and beheld a precise counterpart of himself, as he went up
the mountain: apparently as lazy, and certainly as ragged. The poor
fellow was now completely confounded. He doubted his own identity,
and whether he was himself or another man. In the midst of his
bewilderment, the man in the cocked hat demanded who he was, and what
was his name?
“God knows,” exclaimed he, at his wit’s end; “I’m not myself--I’m
somebody else--that’s me yonder--no--that’s somebody else, got into my
shoes--I was myself last night, but I fell asleep on the mountain, and
they’ve changed my gun, and everything’s changed, and I’m changed, and
I can’t tell what’s my name, or who I am!”
The bystanders began now to look at each other, nod, wink
significantly, and tap their fingers against their foreheads. There
was a whisper, also, about securing the gun, and keeping the old
fellow from doing mischief; at the very suggestion of which, the
self-important man in the cocked hat retired with some precipitation.
At this critical moment a fresh likely woman pressed through the throng
to get a peep at the graybearded man. She had a chubby child in her
arms, which, frightened at his looks, began to cry. “Hush, Rip,” cried
she, “hush, you little fool, the old man won’t hurt you.” The name of
the child, the air of the mother, the tone of her voice, all awakened a
train of recollections in his mind. “What is your name, my good woman?”
asked he.
“Judith Gardenier.”
“And your father’s name?”
“Ah, poor man, his name was Rip Van Winkle; it’s twenty years since
he went away from home with his gun, and never has been heard of
since--his dog came home without him; but whether he shot himself, or
was carried away by the Indians, nobody can tell. I was then but a
little girl.”
Rip had but one question more to ask; but he put it with a faltering
voice:
“Where’s your mother?”
“Oh, she too had died but a short time since; she broke a blood vessel
in a fit of passion at a New-England peddler.”
There was a drop of comfort, at least, in this intelligence. The honest
man could contain himself no longer.--He caught his daughter and her
child in his arms.--“I am your father!” cried he--“Young Rip Van Winkle
once--old Rip Van Winkle now!--Does nobody know poor Rip Van Winkle!”
All stood amazed, until an old woman, tottering out from among the
crowd, put her hand to her brow, and peering under it in his face for a
moment, exclaimed, “Sure enough! it is Rip Van Winkle--it is himself.
Welcome home again, old neighbour.--Why, where have you been these
twenty long years?”
Public-domain text, read in full here on John Shaqi.
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