America may be defined as the country where there are no railway
porters. You begin a journey without ceremony; you end it without a
welcome. No zealot, eager to find you a corner seat and to dispose of
your luggage, meets you when you depart. You must carry your own bag
when you stumble unattended from the train. This enforced dependence
upon yourself is doubtless a result of democracy. The spirit of freedom,
which permits a stealthy nigger to brush your hat, does not allow
another to handle your luggage. To the enchained and servile mind of an
Englishman these distinctions axe difficult to understand. A training in
transatlantic liberty is necessary for their appreciation. However, no
great evil is inflicted on the traveller. The ritual of checking your
baggage may easily be learned, and the absence of porters has, by
a natural process, evolved the "grip." The "grip," in fact, is the
universal mark of America. It is as intimate a part of the citizen's
equipment as a hat or coat, and it is not without its advantages. It
is light to carry, it fills but a small space, and it ensures that the
traveller shall not be separated from all his luggage. A far greater
hardship than the carriage of a "grip" is the enforced publicity of an
American train. The Englishman loves to travel in seclusion. The end of
his ambition is a locked compartment to himself. Mr Pullman has ordained
that his clients shall endure the dust and heat of a long journey in
public; and when the voyager, wearied out by the rattle of the train,
seeks his uncomfortable couch, he is forced to seek it under the general
gaze.
Public-domain text, read in full here on John Shaqi.
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