This was a small paper bound collection of a few traditional hymns, supplemented by a dozen anti-slavery or wartime songs by living writers, including J. Pierpont, E. H. Sears, and J. R. Lowell, with a supplement of devotional readings and prayers. Presumably it had some use in the Army, but copies are now very rare. 30. _Christian Worship_—New York, 1862. Edited by Rev. Samuel Osgood (1812-1880), then minister of the Church of the Messiah, New York, and Rev. Frederic A. Farley (1800-1892), minister of The First Unitarian Congregational Church, Brooklyn, N. Y. A small collection of 159 hymns, bound up with a liturgical type of service-book indicating the trend which later took Osgood into the Episcopal Church. 31. _The Soldier’s Hymn Book, containing a supplement of national songs for the use of chaplains and soldiers in the army and navy of the United States_—Prepared by J. G. Forman, Chaplain of the 3d Regiment Missouri Infantry, Army of the U. S., Alton, Illinois, 1863. Rev. Jacob G. Forman (d. 1885), the compiler, was at the time minister of the Unitarian Church at Alton. This little pocket hymnal contains 99 hymns, and 26 additional patriotic songs. 32. _The Soldier’s Hymn Book for Camp and Hospital_—Cambridge, printed at the University Press, 1863. There is no indication as to the source of this little book, and the identity of its compiler has not been discovered. Its contents, however, indicate that it came from a Unitarian source. It is a pocket hymnal containing 150 familiar hymns and a few prayers, somewhat larger and better printed than (31). 33. _Hymns of the Spirit_—Boston, Ticknor & Fields, 1864. Edited by Samuel Longfellow (1819-1892) and Samuel Johnson (1822-1882). This is the second and more famous hymn-book compiled by the editors. It contains 717 hymns and represents their later and more radical trend of thought, the book being theistic rather than explicitly Christian in its emphasis. It introduced many hymns by the editors themselves, and made drastic adaptations or revisions of hymns by other authors. Like their first book (24), it was more generally drawn upon as a source-book by later editors than it was used in the churches. In that respect it was one of the most important books in this series. 34. _Hymn and Tune Book for the Church and Home_—Boston, 1868.