American Unitarian Hymn Writers and HymnsFoote, Henry Wilder
Religion
American Unitarian Hymn Writers and Hymns
Foote, Henry Wilder
Hymn writers; Hymns, English -- History and criticism; Unitarian Universalist churches -- Hymns -- History and criticism
It will be noted that in the course of the 19^th century no less than
thirty-six different hymn-books appeared, a far larger number than any
other American denomination can show for the same period, and
illustrative of the extreme individualism of the Unitarian churches.
Throughout the middle third of the century Greenwood’s _Collection_
(13), the _Springfield Collection_ (14), and the _Cheshire Collection_
(20), had the widest use, followed in the last third of the century by
the _Hymn and Tune Books_ (34) and (36) of the American Unitarian
Association, but all the other collections had some local vogue, in some
cases only for a brief period or only in those churches the ministers of
which had compiled the collections in question. As late, however, as the
beginning of the 20^th century, at least eight different hymn-books were
in use in the Unitarian churches of the United States and Canada. This
diversity of usage declined rapidly after the publication of _The New
Hymn and Tune Book_ (45) in 1914, and had practically disappeared by the
time when that book’s successor, _Hymns of the Spirit_ (48) was
published in 1937.
BIBLIOGRAPHY
Copies of at least one edition of each of the following books are
in the Historical Library of the American Unitarian Association,
25 Beacon Street, Boston, except in the cases noted.
1. _A Collection of Hymns, more particularly designed for the Use of
the West Society in Boston_—Boston, 1782; 2nd ed., 1803; 3rd ed.,
1806; 4th ed., 1813.
The editor is said to have been Rev. Simeon Howard (1733-1804), (See
Bentley’s _Diary_, II, 371), Jonathan Mayhew’s successor as minister
of the West Church. Mayhew’s congregation was notably liberal and this
book represents the first step away from psalm-books of the
traditional type. It contains 166 hymns, including a number of
classics by Watts, Barbauld, Addison, etc. The tone in general is
ethical rather than theological, and many of the hymns are moral
precepts in mediocre verse, some, at least, probably of local
production, but the authors cannot be identified as no author is
named; there is no preface, and the compiler’s name is not given.
Note:—The American Unitarian Association does not own a copy.
There is one in the Congregational Library, 14 Beacon Street,
Boston.
2. _A Collection of Hymns for Publick Worship_—Salem; n.d. (1788)
Public-domain text, read in full here on John Shaqi.
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