This is not the type of anecdote which looms large in the volumes of "minced saints" prepared for pious readers, and its absence has accustomed us to dissever humour from sanctity. But a candid soul is, as a rule, a humorous soul, awake to the tragi-comic aspect of life, and immaculately free from self-deception. And to such souls, cast like Teresa's in heroic mould, comes the perception of great moral truths, together with the sturdy strength which supports enthusiasm in the face of human disabilities. They are the lantern-bearers of every age, of every race, of every creed, _les ames bien nees_ whom it behooves us to approach fearlessly out of the darkness, for so only can we hope to understand. The Nervous Strain "Which fiddle-strings is weakness to expredge my nerves this night."--MRS. GAMP. Anna Robeson Burr, in her scholarly analysis of the world's great autobiographies, has found occasion to compare the sufferings of the American woman under the average conditions of life with the endurance of the woman who, three hundred years ago, confronted dire vicissitudes with something closely akin to insensibility. "To-day," says Mrs. Burr, "a child's illness, an over-gay season, the loss of an investment, a family jar,--these are accepted as sufficient cause for over-strained nerves and temporary retirement to a sanitarium. _Then_, war, rapine, fire, sword, prolonged and mortal peril, were considered as furnishing no excuse to men or women for altering the habits, or slackening the energies, of their daily existence." As a matter of fact, Isabella d' Este witnessed the sacking of Rome without so much as thinking of nervous prostration. This was nearly four hundred years ago, but it is the high-water mark of feminine fortitude. To live through such days and nights of horror, and emerge therefrom with unimpaired vitality, and unquenched love for a beautiful and dangerous world, is to rob the words "shock" and "strain" of all dignity and meaning. To resume at once the interrupted duties and pleasures of life was, for the Marchioness of Mantua, obligatory; but none the less we marvel that she could play her role so well. A hundred and thirty years later, Sir Ralph Verney, an exiled royalist, sent his young wife back to England to petition Parliament for the restoration of his sequestrated estates. Lady Verney's path was beset by difficulties and dangers. She had few friends and many enemies, little money and cruel cares. She was, it is needless to state, pregnant when she left France, and paused in her work long enough to bear her husband "a lusty boy"; after which Sir Ralph writes that he fears she is neglecting her guitar, and urges her to practise some new music before she returns to the Continent.