Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
In order to lay himself open to no reproach, a gentleman will keep
himself irreproachable; in order to be treated with consideration,
he will always be careful himself to observe distances, to apportion
respect, and to observe all the gradations of conventional politeness,
according to rank, age, and situation. Hence it follows that he will
be imperturbably cautious in the presence of a stranger, whose name and
worth are unknown to him, and to whom he might perhaps show too much or
too little courtesy. He ignores and avoids him; if he is approached, he
turns away, if he is addressed, he answers shortly and with _hauteur_.
His politeness is not human and general, but individual and relative to
persons. This is why every Englishman contains two different men--one
turned toward the world, and another. The first, the outer man, is
a citadel, a cold and angular wall; the other, the inner man, is a
sensible, affectionate, cordial, and loving creature. Such a type is
only formed in a moral climate full of icicles, where, in the face of an
indifferent world, the hearth alone is hospitable.
So that an analysis of the national type of gentlemen reveals to us the
nature and the history of the nation, as the fruit reveals the tree.
April 7, 1866.--If philosophy is the art of understanding, it is evident
that it must begin by saturating itself with facts and realities,
and that premature abstraction kills it, just as the abuse of fasting
destroys the body at the age of growth. Besides, we only understand
that which is already within us. To understand is to possess the thing
understood, first by sympathy and then by intelligence. Instead, then,
of first dismembering and dissecting the object to be conceived,
we should begin by laying hold of it in its _ensemble_, then in its
formation, last of all in its parts. The procedure is the same, whether
we study a watch or a plant, a work of art or a character. We must
study, respect, and question what we want to know, instead of massacring
it. We must assimilate ourselves to things and surrender ourselves to
them; we must open our minds with docility to their influence, and steep
ourselves in their spirit and their distinctive form, before we offer
violence to them by dissecting them.
Public-domain text, read in full here on John Shaqi.
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