Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
“En nous sont deux instincts qui bravent la raison,
C’est l’effroi du bonheur et la soif du poison.
Coeur solitaire, à toi prends garde!”
April 3, 1873.--I have been to see my friends ----. Their niece has just
arrived with two of her children, and the conversation turned on Father
Hyacinthe’s lecture.
Women of an enthusiastic temperament have a curious way of speaking of
extempore preachers and orators. They imagine that inspiration radiates
from a crowd as such, and that inspiration is all that is wanted. Could
there be a more _naïf_ and childish explanation of what is really a
lecture in which nothing has been left to accident, neither the
plan, nor the metaphors, nor even the length of the whole, and where
everything has been prepared with the greatest care! But women, in their
love of what is marvelous and miraculous, prefer to ignore all this. The
meditation, the labor, the calculation of effects, the art, in a word,
which have gone to the making of it, diminishes for them the value of
the thing, and they prefer to believe it fallen from heaven, or sent
down from on high. They ask for bread, but cannot bear the idea of a
baker. The sex is superstitious, and hates to understand what it wishes
to admire. It would vex it to be forced to give the smaller share to
feeling, and the larger share to thought. It wishes to believe that
imagination can do the work of reason, and feeling the work of science,
and it never asks itself how it is that women, so rich in heart and
imagination, have never distinguished themselves as orators--that is to
say, have never known how to combine a multitude of facts, ideas, and
impulses, into one complex unity. Enthusiastic women never even suspect
the difference that there is between the excitement of a popular
harangue, which is nothing but a mere passionate outburst, and the
unfolding of a didactic process, the aim of which is to prove something
and to convince its hearers. Therefore, for them, study, reflection,
technique, count as nothing; the improvisatore mounts upon the tripod,
Pallas all armed issues from his lips, and conquers the applause of the
dazzled assembly.
Evidently women divide orators into two groups; the artisans of speech,
who manufacture their laborious discourses by the aid of the midnight
lamp, and the inspired souls, who simply give themselves the trouble
to be born. They will never understand the saying of Quintilian, “_Fit
orator, nascitur poeta._”
Public-domain text, read in full here on John Shaqi.
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