Amiel's Journal: The Journal Intime of Henri-Frédéric AmielAmiel, Henri Frédéric
Philosophy
Amiel's Journal: The Journal Intime of Henri-Frédéric Amiel
Amiel, Henri Frédéric
Amiel, Henri Frédéric, 1821-1881 -- Diaries; Authors, Swiss -- 19th century -- Diairies
February 1, 1854.--A walk. The atmosphere incredibly pure, a warm
caressing gentleness in the sunshine--joy in one’s whole being. Seated
motionless upon a bench on the Tranchées, beside the slopes clothed with
moss and tapestried with green, I passed some intense delicious moments,
allowing great elastic waves of music, wafted to me from a military band
on the terrace of St. Antoine, to surge and bound through me. Every way
I was happy, as idler, as painter, as poet. Forgotten impressions of
childhood and youth came back to me--all those indescribable effects
wrought by color, shadow, sunlight, green hedges, and songs of birds,
upon the soul just opening to poetry. I became again young, wondering,
and simple, as candor and ignorance are simple. I abandoned myself to
life and to nature, and they cradled me with an infinite gentleness.
To open one’s heart in purity to this ever pure nature, to allow this
immortal life of things to penetrate into one’s soul, is at the same
time to listen to the voice of God. Sensation may be a prayer, and
self-abandonment an act of devotion.
February 18, 1854.--Everything tends to become fixed, solidified, and
crystallized in this French tongue of ours, which seeks form and not
substance, the result and not its formation, what is seen rather than
what is thought, the outside rather than the inside.
We like the accomplished end and not the pursuit of the end, the goal
and not the road, in short, ideas ready-made and bread ready-baked,
the reverse of Lessing’s principle. What we look for above all are
conclusions. This clearness of the “ready-made” is a superficial
clearness--physical, outward, solar clearness, so to speak, but in the
absence of a sense for origin and genesis it is the clearness of
the incomprehensible, the clearness of opacity, the clearness of
the obscure. We are always trifling on the surface. Our temper is
formal--that is to say, frivolous and material, or rather artistic and
not philosophical. For what it seeks is the figure, the fashion and
manner of things, not their deepest life, their soul, their secret.
March 16, 1854. (From Veevay to Geneva.)--What message had this lake for
me, with its sad serenity, its soft and even tranquility, in which
was mirrored the cold monotonous pallor of mountains and clouds? That
disenchanted disillusioned life may still be traversed by duty, lit by a
memory of heaven. I was visited by a clear and profound intuition of the
flight of things, of the fatality of all life, of the melancholy which
is below the surface of all existence, but also of that deepest depth
which subsists forever beneath the fleeting wave.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account