The Boloki man is sociable and of a kindly disposition, but liable to
fits of uncontrollable passion, and is then capable of great cruelty. He
is fond of a laugh, enjoys a good joke, and appreciates a repartee,
which he gives and takes in good humour.
[Illustration:
_Photo by_: _Rev. G. E. Moore_
MANGWENDE—A TYPICAL BOLOKI HEAD-MAN
Running up the forehead will be seen the cock’s-comb tribal mark,
above which is the plait of hair worn by the better-class men, and
on the temple the palm-leaf mark.
]
We make more than three hundred dinners a year off fowls—they are very
cheap, and are the most regular form of fresh meat that we can procure.
Speaking with a native one day, I laughingly twitted him with the
scarcity of fowls and the difficulty of buying any in his village.
He at once retorted: “White man, if all the fowls you have eaten from
our village were to cackle and crow simultaneously in your stomach,
there would be a tremendous noise.” And as he spoke there was a good
humoured twinkle in his eye as he conjured up the noisy scene.
Formerly the term Bangala was applied only to those natives who lived at
Diboko (Nouvelles Anvers), and for forty or fifty miles up and down the
river on either side of them; but in a work published in Brussels called
_Les Bangalas_,[18] the term Bangala is made to cover an area reaching
far east of Bopoto, west of Equatorville, north of the Welle, and south
of the Congo River for some distance. This includes a dozen or more
different tribes, talking as many distinct languages, having various
tribal marks, possessing in many instances very different customs, etc.,
and among whom there is nothing in common except their black skins and
backwardness in civilization. Since seeing the above-mentioned book, I
have preferred using Boloki as a more definite term for denoting the
inhabitants of certain towns on the main river, on the Mobangi River,
and the Libinza Lake. Intermixed with the Boloki towns on the Congo
River are other towns belonging to a hinterland people well known to us
as the Bomuna.
Footnote 18:
By M. Cyr. van Overbergh and M. de Jonghe.
Public-domain text, read in full here on John Shaqi.
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