There was a great demand for string, and it was met in the following
way: The bark of a water-plant, called by the natives _munkungi_, was
manufactured into rope and string. The withes were cut into lengths from
3 to 4 feet long and carried into the town, the bark was then peeled
off—it strips easily—carefully scraped on both sides by running it
between the edge of a knife and a board, and then spread in the sun to
dry. The strips were taken in the hand, length by length, and spun by
twisting them between the palm of the hand and the thigh of the
operator. The different threads were then plaited into a string, and
these were twisted together into cords three-eighths of an inch in
diameter. Sometimes the palm-frond fibres were employed for making the
finer strings and twine.
The strong cords were used for tying up their canoes and bundles; and
also plaited into mats about 3 feet long by 1 foot to 1 foot 6 inches
wide, for crushing the sugar-cane fibre when making sugar-cane wine. The
better-made strings and twines were made into shoulder-bags or satchels,
and also into fighting-belts. These belts were from 9 to 12 feet long,
and about 4 or 5 inches wide, and were generally well smeared with pipe
clay; they were wound round the abdomen just before a fight, and
afforded a good protection against spear-thrusts. The string was wound
on a wooden spool, and the fish-nets, of all sizes and shapes, were made
by the ordinary process of netting, the mesh varying according to the
size and purpose of the net.
For some years after we arrived at Monsembe the old folk wore bark
cloth. A strip of bark 18 inches long by 5 or 6 inches wide, and 1½
inches thick was taken from the tree—the wild fig tree, or from a tree
called _ngumbu_. The strip of bark was soaked in water for a time, and
then beaten with an ivory mallet as it lay across the palm of the hand.
The strip of bark gradually widened to 18 inches, and lengthened to 3 or
4 feet. Some cloths were very evenly beaten, so that no holes appeared;
others were not so well done, and holes and uneven places showed in the
finished cloth. _Likuta_ was the name given to the finished cloth. I
never saw any weaving among these Boloki folk, but they told me of an
ancient native-made cloth called _pelele_; but I never saw a specimen of
it, and cannot speak of its texture.
[Illustration:
A BANGALA WOMAN’S DRESS
This is one of about fifteen fringes that a woman wears tied round her
waist. The more _chic_ the wearer the shorter the fringes are cut.
They are made from scraped palm leaves.
]
Public-domain text, read in full here on John Shaqi.
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