_Photo by_: _Rev. C. J.Dodds_
BOLOKI WOMEN PREPARING AN EVENING MEAL
The woman on the right has a mortar and pestle for pounding boiled
plantain. She has a broad band of hair shaved off in the style of
the day. The walls show the split bamboos used at the outer lining
of the hut, then there are an inch or two of grass and another
lining of bamboos inside, and the whole is tightly laced to the
uprights of the wall.
]
The evening meal is practically the only meal of the day, and every
effort is made to render it as tasty as possible with the limited
ingredients at the disposal of the woman cook. Cassava figures as the
principal article in every _menu_; and for this meal it is commonly
prepared by soaking it for three days, and then after peeling, coring,
and dividing it into quarters, it is steamed, and comes out looking
white and appetizing. Either fish, or meat when procurable, is stewed in
a small saucepan or roasted over the fire, or wrapped in leaves and
covered with red-hot embers; but if there is neither fish nor meat, then
a sauce of pounded leaves, red peppers, and palm-oil is concocted, and
the whole is washed down with gulps of water. They prefer to keep
sugar-cane wine for their drinking-bouts and for their cannibal feasts,
the latter, in their view, demanding something better than water.
The food is served first to the elders (male), and if visitors are
present they take precedence according to their age. As a rule the
members of a family are polite to one another, and any departure from
the usual forms of courtesy is regarded with disapprobation by the other
members of the family. Guests are treated with hospitality, and are
protected by the family they are visiting; and I never knew a guest come
to harm during a visit. Men and women do not eat together, as it is
accounted immodest and indecent for a woman to eat with a man; and it is
_infra dig._ for a man to partake of his food with a woman. They eat by
themselves at some little distance, and usually out of sight and hearing
of the men.
Public-domain text, read in full here on John Shaqi.
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