Among the Great Masters of Music: Scenes in the Lives of Famous MusiciansRowlands, Walter
History
Among the Great Masters of Music: Scenes in the Lives of Famous Musicians
Rowlands, Walter
Music in art; Musicians -- Biography; Musicians -- Portraits
The subject of Dal Zotto's statue was sent, while yet very young, from
Pirano, (where he was born of a good family in 1692) to Capo d' Istria,
to study at the college of the "Padri delle Scuole." It was here that
he received his first instruction in violin playing, and in
fencing,--two accomplishments that were to play an important part in
his future life. In spite of the fact that Tartini's family had
destined him to become a Franciscan, he had the strongest antipathy to
an ecclesiastical career. His relatives fought in vain against his
unbending resistance, and finally sent him to Pavia, to study law.
Learning cost him little effort, and he still found plenty of spare
time for fencing. Somewhat wild, and tired of serious study, he
decided to take up his abode in Paris or Naples, and there establish
himself as a fencing-master. A love-affair put an end to this project.
Tartini having won the heart of a young and beautiful girl, a niece of
the cardinal and Bishop of Padua, George Cornaro, the lovers were
secretly married, but did not long succeed in keeping the knowledge of
their union from their relatives. Tartini's family, enraged at his
conduct, withdrew at once the support they had hitherto given him, and
to cap the climax, the bishop accused him of seduction and theft.
Warned in time, Tartini fled to Rome, leaving his young wife in Padua
without confiding to her the direction of his travels.
Reaching Assisi, he ran across a monk in whom he recognised a near
relation from his native city of Pirano. This good-natured brother,
who was a sacristan in the monastery at Assisi, took pity on the
refugee, and gave him an asylum in one of the cells. This is the time,
and this is the cell in which the accompanying picture represents our
hero. Two years he passed in this monastery, making use of his
involuntary seclusion to carry on with great zeal his musical studies.
The story of Tartini's dream, and his motive for writing the "Devil's
Sonata" is told in various ways and with many additions. Tartini told
the tale himself to the astronomer Lalande, who relates it in the
following manner in his "Italian Travels." "One night in the year
1713," said Tartini, "I dreamed that I had made a compact with the
Devil, and that he stood at my command. Everything thrived according
to my wish, and whatever I desired or longed for was immediately
realised through the officiousness of my new vassal. A fancy seized me
to give him my violin to see if he could, perchance, play some
beautiful melodies for me. How surprised I was to hear a sonata, so
beautiful and singular, rendered in such an intelligent and masterly
manner as I had never heard before. Astonishment and rapture overcame
me so completely that I swooned away. On returning to consciousness, I
hastily took up my violin, hoping to be able to play at least a part of
what I had heard, but in vain. The sonata I composed at that time was
Public-domain text, read in full here on John Shaqi.
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