"He made the little fellow play with only one finger, in which he perfectly succeeded. An attempt which little Mozart made at the special request of the emperor, to play with the keys covered by a piece of cloth, was also a brilliant success. It was, perhaps, owing to the imperial fancy that this species of artistic trick obtained considerable celebrity, and played a not unimportant part in the little 'sorcerer's' repertoire on all his long journeys. Wolfgang entered readily into any joke that was made with him, but sometimes he could be very serious, as, for instance, when he called for the court composer, Georg Christoph Wagenseil, a thorough connoisseur of the harpsichord, and himself a performer. The emperor stepped back and made Wagenseil come forward, to whom Mozart said, quite seriously, 'I play a concerto by you: you must turn over the pages for me.' The emperor ordered a hundred ducats to be paid to his father. The empress was very kind to the Mozarts, and sent them costly dresses. 'Would you like to know,' writes Leopold to Hagenauer, his host at Salzburg, 'what Wolferl's (a pet name for Wolfgang) dress is like? It is of the finest cloth, lilac-coloured, the vest of moire of the same colour. Coat and top-coat with a double broad border of gold. It was made for the Hereditary Duke Maximilian Franz.' In the picture which is preserved in the Mozart collection at Salzburg, Mozart is painted in this dress. Wolfgang never showed the least embarrassment in the society of the great." "At court, as elsewhere, Mozart was a bright, happy child. He would spring on the empress's lap, throw his arms around her neck, and kiss her, and play with the princesses on a footing of equality. He was especially devoted to the Archduchess Marie Antoinette. Once, when he fell on the polished floor, she lifted him from the ground and consoled him, while one of her sisters stood by. 'You are good,' said Wolfgang, I will marry you.' The empress asked him why. 'From gratitude,' answered he; 'she was good to me, but her sister stood by and did nothing.'" Nor was he shy with the Crown Prince Joseph, who, in after years, when emperor, reminded him of his playing duets with Wagenseil, and of Mozart's standing in the audience and calling out, "Fie!" or "That was false!" or "Bravo!" as the case might be. As was to be expected, the children became the rage in society, and all the ladies fell in love with little Mozart. No musical entertainments could be given without him and Maria Anna, and they appeared in company with the most celebrated performers, being everywhere petted, feasted, and flattered, and receiving many costly gifts.