Among the Great Masters of Music: Scenes in the Lives of Famous MusiciansRowlands, Walter
History
Among the Great Masters of Music: Scenes in the Lives of Famous Musicians
Rowlands, Walter
Music in art; Musicians -- Biography; Musicians -- Portraits
"Ask'st thou how long my love will stay,
When all that's new is past?
How long, ah! Delia, can I say
How long my life will last?
Dry be that tear, be hush'd that sigh;
At least I'll love thee till I die.
Hush'd be that sigh.
"And does that thought affect thee too,
The thought of Sylvio's death,
That he who only breath'd for you
Must yield his faithful breath?
Hush'd be that sigh, be dry that tear,
Nor let us lose our heaven here.
Dry be that tear."
For some eighteen years the Sheridans lived together,--Elizabeth never
sang in public again after her marriage,--and then their union was
broken by death. The devoted wife to this brilliant, but selfish,
unreliable, and extravagant genius died in 1792, of consumption.
"Music, when soft voices die,
Vibrates in the memory,"
and surely during the years of life left to Richard Brinsley Sheridan,
he must often have recalled the happy days when he listened in delight
to the music of his loved one's voice.
[Illustration: Sheridan at the Linleys. From painting by Margaret
Dicksee.]
Sir Joshua Reynolds painted her as St. Cecilia in a lovely picture
which he sent to the Royal Academy exhibition in 1775,--the year of
"The Rivals." It remained in the artist's possession till 1790, when
Sheridan bought it for one hundred and fifty guineas. It is now owned
by the Marquis of Lansdowne.
HAYDN.
In 1790 Haydn had been capellmeister at Esterhaz, the magnificent
palace which Prince Nicolaus Esterhazy had created in imitation of
Versailles. For nearly a quarter of a century, Esterhaz, though built
on an unhealthy site, was the favourite residence of the prince, who
never tired of altering, extending, and improving the palace and
grounds, and whose greatest ambition was to make the musical and
theatrical entertainments given there the best of their kind. In many
ways Haydn was most happily situated at Esterhaz, and though his
isolated position there became more irksome to him as time went on, he
would not, though frequently approached with flattering offers from
abroad, leave his well-beloved master, of whom he wrote, in 1776, "My
dearest wish is to live and die with him."
Public-domain text, read in full here on John Shaqi.
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