Now, in order to avoid being heard from the street, "the devil" used to practise his violin in a back room, which happened to be divided only by a thin partition from the next house. The adjoining room was one devoted by the old lady to the most advanced of her pupils, and here they were allowed to do their needlework apart from the others, and were frequently left to themselves. When the cat's away, however, the mice will play. The temptation to make overtures to "the devil" was too great for the young ladies; and whenever they heard him in his room, while one kept a lookout at the door for the intrusions of "old humpback," there was a delicate "tat-tat-tat" at the partition, and a half-singing, half-speaking call, "Pag-an-in-ee, Pag-an-in-ee--the Carnival--'Carnival de Venise';" whereupon he would go to his window, open it, and accede to the request, playing the piece exactly as he did in public, nor did the maestro ever once fail to gratify the wishes of his fair neighbours. "Paganini received some enthusiastic receptions in his time, but probably never a more spontaneous outburst than that which came from a son of Erin's Isle, after one of his performances in Dublin. On the occasion in question, Paganini had just completed that successful effort, the rondo _a la Sicilienne_ from 'La Clochette,' in which was a silver bell accompaniment to the fiddle, producing a most original effect (one of those effects, we presume, which have tended to associate so much of the marvellous with the name of this genius). No sooner had the outburst of applause ended, than the excited Paddy in the gallery shouted out as loud as he was able: "'Arrah now, Paganini, just take a drop o' whisky, my darling, and ring the bell again like that!' "At a soiree given by Troupenas, the music publisher, in Paris, in 1830, Paganini gave one of the most wonderful exhibitions of his skill. Rossini, Tamburini, Lablache, Rubini, De Beriot, and Malibran were of the party. Malibran, after singing one of her spirited arias, challenged Paganini, who said, 'Madam, how could I dare, with all the advantages you possess in beauty and your incomparable voice, take up your glove?' His declining was of no avail; the whole company, aware that such an opportunity might never occur again, urged him most strongly, and finally persuaded him to send for his violin. After an introduction, in which gleamed now and then the motive of Malibran's song, he gave the whole melody with additional _fiorituras_, so that the audience, amazed and overwhelmed, could not help confessing that he was the master. Malibran herself was most emphatic of all in proclaiming him the victor."