Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs — John Shaqi
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefsBilby, Julian W.
Religion
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs
Bilby, Julian W.
Baffin Island (Nunavut); Eskimo mythology; Eskimos -- Religion
The next step is the porch or sukso, another little domed erection much
like the main igloo, built in front of the entrance and intended, first
to break the force of the wind and to keep the larger place warm, and
secondly as a store house for surplus meat and blubber, for the dogs’
harness, whips, sealing lines, and anything the latter and the wolves
might find eatable. (Eskimo dogs, be it remarked, find nothing
uneatable save sticks and stones). As an entrance or exit for the
sukso, a further passage is built, like a little tunnel; again as
protection from the arctic wind.
The finishing touch is the window. Light is a necessity, but the Eskimo
is scarcely particular about ventilation. The less he gets of that the
more successful his architecture seems to be. A square opening is cut
high up in the dome of the igloo, facing the sleeping bench. It is then
glazed after the fashion of the Arctics. The builder sets off for the
nearest sheet of fresh water ice, and with the butt end of his sealing
spear shivers out a good thick pane of it. This he places over the hole
in the roof, packing its edges round with half melted snow, and pouring
water over the packing. In two minutes, everything is frozen airtight
and solid, and a window of flawless ice lets the illumination of the
northern night into the pure and icy chamber of the newly made house.
Failing a window of ice, one is made of strips of dried seal intestine
(a thin, translucent material, not unlike oiled silk), stitched
together with fine deer sinew. The seams are parallel, and as neatly
executed as if by machine working on the smallest stitch. The fabric is
stretched over the opening and pegged down at the corners, and
congealed into its place by half melted snow. A small hole is cut in
the dome for ventilation, and a snow block provided to stop it up again
when necessary.
Finally, the interior has to be glazed. While the householder himself
has been busy more or less within the building, on the outside the old
men and the children and the women have been set the task of packing
every joint and crevice in the snow masonry with loose snow, so as to
make it absolutely wind tight. Now comes the moment when the doorways,
too, are closed and every entrance blocked. Two lamps, well trimmed and
well supplied with oil, have been carefully lit and left burning
inside, much as we in this country leave a sulphur candle in a room to
be fumigated after infectious illness, and seal up the door. As the
lamps burn slowly away, the temperature rises and all the surface of
the snow is slightly melted. As the lamps die out the temperature falls
again, and the surface freezes to glass-like smoothness. Every asperity
of the sawn blocks of snow is annealed, and the dwelling is as proof
against draught as the inside of a bottle. Water, too, is thrown on the
floor, to make it smooth as marble and as durable as cement.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account