East Indian Americans -- Fiction; Psychics -- Fiction
AMOS JUDD
AMOS JUDD
BY
J. A. MITCHELL
ILLUSTRATED BY A. I. KELLER
[Illustration]
NEW YORK
CHARLES SCRIBNER’S SONS
1901
_Copyright, 1895, 1901, by Charles Scribner’s Sons_
ILLUSTRATIONS
FROM DRAWINGS IN COLOR BY A. I. KELLER
[Illustration]
_Vignette_ Title-Page
“_How much do they represent, the whole lot_” Facing page _18_
“_I beg your pardon, I--I was startled_” _48_
_It seemed a long five minutes_ _136_
_Gently rocking with both feet on the ground_ _168_
“_I thank you, Bull, for chasing me into Molly Cabot’s heart_” _182_
“_He is the image of you_” _206_
“_The end has come, my Moll_” _250_
AMOS JUDD
I
At the station of Bingham Cross Roads four passengers got off the
train. One, a woman with bundles, who was evidently familiar with her
surroundings, walked rapidly away through the hot September sunshine
toward the little village in the distance.
The other three stood on the platform and looked about, as if taking
their bearings. They were foreigners of an unfamiliar species. Their
fellow-passengers in the car had discussed them with an interest
not entirely free from suspicion, and their finally getting out at
such an unimportant station as Bingham Cross Roads caused a surprise
which, although reasonably under control, was still too strong for
concealment. From the windows of the car at least a dozen pairs of
eyes were watching them. The two men and the little boy who composed
this group were of dark complexion, with clean-cut, regular features.
The oldest, a man of sixty years or more, had a military bearing, and
was, if one could judge from appearances, a person of authority in his
own country, wherever that might be. Although the younger man seemed to
resemble him, it was in such a general way that he might be either his
son or no relation whatever.
But the little boy had excited a yet greater interest than his
companions. Although but six or seven years old, he comported himself
with as much dignity and reserve as the gentleman with the silver hair.
This gave the impression, and without apparent intention on his part,
that he also was an important personage. His dark eyes were strikingly
beautiful and, like those of his seniors, were distinctly foreign in
design.
Public-domain text, read in full here on John Shaqi.
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