the smooth brightness of the masonry soberly enhanced by the occasional use of a darker stone, either in courses or in alternate voussoirs. If you are so fortunate as to have many friends in Aleppo, you will find that the domestic architecture is no less admirable, and drinking your coffee under panelled ceilings rich with dull golds and soft deep reds, you will magnify once again the genius of the artificers of Asia. The walls and gates of the city, though they are not so well preserved as those of Diyârbekr, are fine examples of mediæval fortification. To the north a prosperous quarter lies beyond the older circuit and the heraldic lions of the Mamlûks look down upon streets crowded with traffic. Armorial bearings played a large part in the decorative scheme of the Mohammadan builders. The type characteristic of Aleppo is a disk projecting slightly from the wall, carved with a cup from the base of which spring a pair of leaves. Upon the cup there are strange signs which are said to have been imitated from Egyptian hieroglyphs, a motive introduced by the Mamlûks; but I have noticed a variety of coats of the same period, such as the whorl which fills the disk upon the Bâb el Maḳâm, and the pair of upright pot-hooks, set back to back, upon the Jâmi’ el Maḳâmât in the Firdaus quarter. These disks, together with bands of inscriptions, are the sole ornaments placed upon the city gates. The sombre splendour of the architecture of Aleppo is displayed nowhere better than in the Bîmâristân of El Malik eẓ Ẓâhir, which was built as a place of confinement for criminal lunatics and is still used for that purpose. The central court terminates at the southern end in the lîwân of a mosque covered with an oval dome; before it lies the ceremonial water-tank, if any one should have the heart to wash or pray in that house of despair. A door from the court leads into a stone corridor, out of which open rectangular stone chambers with massive walls rising to a great height, and carrying round and oval domes. Through narrow window slits, feeble shafts of light fall into the dank well beneath and shiver through the iron bars that close the cells of the lunatics. They sit more like beasts than men, loaded with chains in their dark cages, and glower at each other through the bars; and one was sick and moaned upon his wisp of straw, and one rattled his chains and clawed at the bars as though he would cry for mercy, but had forgotten human speech. “They do not often recover,” said the gaoler, gazing indifferently into the sick man’s cell, and I wondered in my heart whether there were any terms in which to reckon up the misery that had accumulated for generations under El Malik eẓ Ẓâhir’s domes. [Illustration: FIG. 10.--KHÂN EL WAZÎR.] [Illustration: FIG. 11.--KHAN ES SABÛN.] [Illustration: FIG. 12.--WINDOW OF A TURBEH, FIRDAUS.] [Illustration: FIG. 13.--GATE OF CITADEL, ALEPPO.]