An Abridgment of the Architecture of Vitruvius: Containing a System of the Whole Works of that Author — John Shaqi
An Abridgment of the Architecture of Vitruvius: Containing a System of the Whole Works of that AuthorVitruvius Pollio
History
An Abridgment of the Architecture of Vitruvius: Containing a System of the Whole Works of that Author
Vitruvius Pollio
Architecture -- Early works to 1800
The under part of the Flooring, and the _Plat-Fonds_, must be made also
with great Care. To make the _Plat-Fonds_ or _Flat-roofs_, in the Form
of a Vault, you must nail to the Joists of the Boards, or to the Rafters
of the Roof, from two Foot to two Foot pieces of crooked Timber, and
Choice must be made of Timber that is not apt to rot; such as, _viz._
_Cypress_, _Box_, _Juniper_, and _Olive_; no _Oke_ must be made use of,
because it will warp and crack the Work. The Joists being fastened to
the _Summers_, you must fix to them _Spanish-Broom_ with _Greek-Reeds_
well beaten. These Reeds are in stead of Laths, which at present are
made use of to make the Eaves of Houses; over these Reeds must be laid a
Plaster of Mortar, made of Sand, to hinder the Drops of Water which may
fall from above from endamaging these _Plat-Fonds_. After which, the
under part must be Plaster'd pretty thick, making all Places equal with
Mortar made of Lime and Sand, that it may be afterwards Polished with
Mortar made with Lime and Marble.
[Sidenote: _Lib. 5. Chap. 10._]
The Ancients sometimes made double Vaults, when they were afraid that
the Humidity which is engender'd, by the Vapours which mount up might
rot the Wood which is upon the Vaults. This Method they principally made
use of in their Baths.
The _Corniches_ which are made use of under the _Plat-Fonds_, ought to
be little, lest their great Jetting out, or Projecture should make them
heavy, and apt to fall. For this Reason they ought to be made of pure
Stuck of Marble, without any Plaster, that all the Work drying at the
same time, may be less apt to break.
ART. VI.
_Of Plastering_.
To make Plaster that it may continue a long time, and not crack; you
must take Care to lay it on Walls that are very Dry; for if the Walls be
Moist, the Plastering being expos'd to the Air, and drying faster than
the Walls, will crack.
To do this Methodically, it must be laid, Bed after Bed, or Lay after
Lay, having a great Care not to lay one Bed till the other be almost
dry. The Ancients put six Lays, three of Mortar made of Lime and Sand,
and three of Stuck. The first Lays or Beds were always thicker than the
last, and they were very careful to make use of no Mortar made either of
Sand or Stuck in their Plastring, that had not been a long time beaten
and mix'd together; especially the Stuck, which must be beaten and mix'd
till it will not stick to the Trowel.
They took likewise a great deal of Pains to run several times over and
beat the Plaster, which gave it a Hardness, a Whiteness, and Polish'd it
so well, that it shin'd like a Mirror.
These Plasterings so made, serve to Paint in _Fresco_ upon; for the
Colours being laid upon the Mortar before it was dry, pierced it, and
Embodied with it; so that the Painting could not be defaced though it
were wash'd; which would easily be wash'd off if the Mortar were dry.
Public-domain text, read in full here on John Shaqi.
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