An account of some recent discoveries in hieroglyphical literature, and Egyptian antiquities : $b including the author's original alphabet, as extended by Mr. Champollion, with a translation of five unpublished Greek and Egyptian manuscriptsYoung, Thomas
History
An account of some recent discoveries in hieroglyphical literature, and Egyptian antiquities : $b including the author's original alphabet, as extended by Mr. Champollion, with a translation of five unpublished Greek and Egyptian manuscripts
Young, Thomas
Egyptian language -- Writing, Hieroglyphic
“Of the triumphal monuments, the most magnificent are the obeliscs,
which are reported by Pliny to have been dedicated to the Sun; and
there is every reason to suppose, that the translation of one of these
inscriptions, preserved by Ammianus Marcellinus, after Hermapion,
contains a true representation of a part of its contents, more
especially as ‘the mighty Apollo’ of Hermapion agrees completely with
the hawk, the bull, and the arm, which usually occupy the beginning of
each inscription. These symbols are generally followed by a number of
pompous titles, not always very intimately connected with each other,
and among them we often find that of ‘Lord of the asp bearing diadems,’
with some others, immediately preceding the name and parentage of the
sovereign, who is the principal subject of the inscription. The obelisc
at Heliopolis is without the bull; and the whole inscription may be
supposed to have signified something of this kind.
“THIS APOLLINEAN TROPHY IS CONSECRATED TO THE HONOUR OF
KING ‘REMESSES,’ CROWNED WITH AN ASP BEARING DIADEM; IT IS
CONSECRATED TO THE HONOUR OF THE SON OF ‘HERON,’ THE ORNAMENT
OF HIS COUNTRY, BELOVED BY PHTHAH, LIVING FOR EVER; IT IS
CONSECRATED TO THE HONOUR OF THE REVERED AND BENEFICIENT DEITY
‘REMESSES,’ GREAT IN GLORY, SUPERIOR TO HIS ENEMIES; BY THE
DECREE OF AN ASSEMBLY, TO THE POWERFUL AND THE FLOURISHING, WHOSE
LIFE SHALL BE WITHOUT END.”
“It is true, that some parts of this interpretation are in great
measure conjectural; but none of it is altogether arbitrary, or
unsupported by some probable analogy: and the spirit and tenor of the
inscription is probably unimpaired by the alterations, which this
approximation to the sense may unavoidably have introduced.
Public-domain text, read in full here on John Shaqi.
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