An account of some recent discoveries in hieroglyphical literature, and Egyptian antiquities : $b including the author's original alphabet, as extended by Mr. Champollion, with a translation of five unpublished Greek and Egyptian manuscriptsYoung, Thomas
History
An account of some recent discoveries in hieroglyphical literature, and Egyptian antiquities : $b including the author's original alphabet, as extended by Mr. Champollion, with a translation of five unpublished Greek and Egyptian manuscripts
Young, Thomas
Egyptian language -- Writing, Hieroglyphic
The Greeks and Romans, either from national pride, or from a want
of philological talent, were extremely deficient in their knowledge
of all such languages as they called barbarous, and they frequently
made up for their ignorance by the positiveness of their assertions,
with regard to facts which were created by their own imagination. It
was very currently believed, on their authority, not only that Egypt
was the parent of all arts and sciences, but that the hieroglyphical
inscriptions, on its public monuments, contained a summary of the most
important mysteries of nature, and of the most sublime inventions
of man: but that the interpretation of these characters had been so
studiously concealed by the priests, from the knowledge of the vulgar,
and had indeed been so imperfectly understood by themselves, that it
was wholly lost and forgotten in the days of the later Roman Emperors.
The story, however, of a reward, supposed to have been offered in
vain by one of the first of the Caesars, for an interpretation of the
inscription on an obelisc, then lately brought from Egypt to Rome,
appears to rest on no authentic foundation.
Among the works of more modern authors, who had employed themselves in
the study of the hieroglyphics, it is difficult to say whether those
were the more discouraging, which, like the productions of Father
Kircher and the Chevalier Palin, professed to contain explanations
of every thing, or which, like the ponderous volume of Zoëga on the
Obeliscs, confessed, after collecting all that was really on record,
that the sum and substance of the whole amounted absolutely to nothing.
Father Kircher’s six folios contain some tolerably faithful, though
inelegant, representations of the principal monuments of Egyptian art,
which had before his days been brought to Europe: and, according to his
interpretation, which succeeded equally well, whether he happened to
begin at the beginning, or at the end, of each of the lines, they all
contain some mysterious doctrines of religion or of metaphysics. With
equal sagacity, but with much less appearance of laborious research,
the Chevalier Palin, beginning, in one instance at least, by way of
variety, in the middle, has more recently discovered, that Hebrew
translations of many of the Egyptian consecrated rolls of papyrus are
to be found, in the Bible, under the name of the Psalms of David.
Whatever may be thought of the judgment of these antiquaries, their
opinions are not particularly discreditable to their talents and
ingenuity: for having once allowed themselves to set out with the
mistaken notion, that it was possible to determine the sense of the
hieroglyphics, by internal evidence and by the force of reasoning
only, the imperfections of their superstructures were the unavoidable
consequences of the unsubstantial nature of the foundations, on which
they were raised.
Public-domain text, read in full here on John Shaqi.
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