An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)Dobrizhoffer, Martin
History
An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)
Dobrizhoffer, Martin
Abipon Indians; Jesuits -- Missions; Paraguay -- Description and travel -- Early works to 1800
They ingeniously invented names borrowed from their native tongue, for
things introduced from Europe, or made by Europeans. They did not like
either to appear poor in words, or to contaminate their language by
adopting foreign ones, like the other Americans who borrow words from
the Spaniards. Horses, which the Spaniards call _cavallos_, the
Guaranies call _cavayù_, and oxen, which the Spaniards call _nobillos_,
they call _nobì_. The Abipones, on the contrary, call a horse
_ahëpegak_, an ox, _ỳúihàk_, and a bull, _ỳúihàk lepà_, an uncastrated
ox, a name derived from their own language, though, before the coming of
the Spaniards, they were unacquainted with these animals. They call a
church _loakal lëëriki_, the house of images, or _natamenřeki_, where
thanks are given to God. A gun is expressed by _netelřanře_, which
means a bow from which arrows are cast. Perhaps it is derived from the
word _neetè_, a storm, because a gun resembles the thundering of a
storm. Gunpowder is called _netelřanřre leenřra_, the flour of the
gun; a book, _lakatka_, which means a word, tongue, speech. They call a
letter, or any sheet with letters written or printed on it, _elorka_, by
which name they also designate the otters' skins painted by women with
red lines of various forms, of which cloaks are made to keep out the
cold. They call water-melons, _Kaáma lakà_, the food of the Spaniards.
They express a soul, a shadow, echo, and an image, all by the same word,
_loákal_, or _lkihì_. The Latins also used the word _imago_, for an
echo. Valerius Flaccus, in the third book of the Argonautics, says:
_Rursus Hylam, et fursus Hylam per longa reclamat
Avia, responsant sylvæ, et vaga certat imago._
Echo is a representation of voice, as an image is that of the figure.
Cotton, the material of which cloth is made, they call _aapařaik_,
cloth; wheat, _etantà lpetà_, the grain of bread; and bullets,
_netelr̃anře lpetà_, the grain of the gun, or _Káamà lanařha_, the
arrows of the Spaniards. A lute or harp is called _liûigi_, which means
the loins of an animal; all metals, _lekàt_, and silver money,
_lekacháole_, little metals; hell, _aalò labachiñi_, the centre of the
earth, or _Keevét lëëriki_, the devil's house; a shirt, _yelamřkie_;
stockings or boots, _lichil lelamřkiè_; breeches, _ykiemařha_; shoes,
_yachrhářlatè_; a hat, _ñoarà_; a fillet, mitre, or any covering of the
head, _yetapehè_; glass-beads, _ekelřaye_. I omit the rest.
Metaphors are familiar to these savages. When they have the head-ache
they cry _Là ỳívíchigi yemařat_, now my head is angry. When fatigued
with manual labour, _Là ỳívíchigi yauigřa_, now my blood is angry, they
exclaim with a smile. When in anger, they say, _Là ànahegem yauel_, now
my heart hath risen. When impatient at any inconvenience, they
vociferate: _Là lanamouge yapìk_, now my patience is ended, now I will
bear this no longer.
Public-domain text, read in full here on John Shaqi.
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