was particularly admirable for decoying of bustards by his artificial imitations. We are all of us tolerably expert at counterfeiting the cry of those birds; but as to him, he surpassed us in certain inflexions, of his voice, that made it impossible to distinguish his cry from that of the birds themselves. He had, besides, a particular way of motion with his body, that at a distance might be taken for the clapping of their wings, insomuch that he has often deceived ourselves, and put us to confusion, as he started out of his hiding-place. "As for thyself, I say nothing, I am too full of the good things thou hast feasted me with, to treat on that subject; but I thank thee, and take thee by the hand, leaving to my fellow-guests the care of acquitting themselves of that duty." After this, he sits down, and some other younger, and in course of less note, for they pay great respect to age, gets up, and makes a summary recapitulation of what the first speaker has said; commending his manner of singing the praises of the master of the feast's ancestors: to which he observes, there is nothing to be added; but that he has, however, left him one part of the task to be accomplished, which is, not to pass over in silence the feast to which he and the rest of his brethren are invited; neither to omit the merit and praises of him who has given the entertainment. Then quitting his place, and advancing in cadence, he takes the master of the treat by the hand, saying, "All the praises my tongue is about to utter, have thee for their object. All the steps I am going to take, as I dance lengthwise and breadthwise in thy cabbin, are to prove to thee the gaiety of my heart, and my gratitude. Courage! my friends, keep time with your motions and voice, to my song and dance." With this he begins, and proceeds in his _Netchkawet_, that is, advancing with his body strait erect, in measured steps, with his arms a-kimbo. Then he delivers his words, singing and trembling with his whole body, looking before and on each side of him with a steady countenance, sometimes moving with a slow grave pace, then again with a quick and brisk one. The syllables he articulates the most distinctly are, _Ywhannah, Owanna, Haywanna, yo! ha! yo! ha!_ and when he makes a pause he looks full at the company, as much as to demand their chorus to the word _Heh!_ which he pronounces with great emphasis. As he is singing and dancing they often repeat the word _Heh!_ fetched up from the depth of their throat; and when he makes his pause, they cry aloud in chorus, _Hah!_