The bride and her party, having arrived at the bridegroom’s house, sit down to a repast. Her friends, shortly after, take their departure, leaving with her only her mother and sister, or other near female relations, and one or two other women, usually the belláneh. The ensuing night is called “Leylet ed-Dukhleh,” or “the Night of the Entrance.” [Illustration: MESH’ALS.] The bridegroom sits below. Before sunset, he goes to the bath, and there changes his clothes; or he merely does the latter at home, and, after having supped with a party of his friends, waits till a little before the “’eshë” (or time of the night-prayer), or until the third or fourth hour of the night, when, according to general custom, he should repair to some celebrated mosque, such as that of the Hasaneyn, and there say his prayers. If young, he is generally honoured with a zeffeh on this occasion: he goes to the mosque preceded by musicians with drums and one or more hautboys, and accompanied by a number of friends, and by several men bearing “mesh’als.” The mesh’al is a staff with a cylindrical frame of iron at the top filled with flaming wood, or having two, three, four, or five of these receptacles for fire. The party usually proceeds to the mosque with a quick pace, and without much order. A second group of musicians, with the same instruments, or with drums only, closes the procession. The bridegroom is generally dressed in a kuftán with red stripes, and a red gibbeh, with a Kashmeer shawl of the same colour for his turban; and walks between two friends similarly dressed. The prayers are commonly performed merely as a matter of ceremony; and it is frequently the case that the bridegroom does not pray at all, or prays without having previously performed the wudoó, like memlooks who say their prayers only because they fear their master.[293] The procession returns from the mosque with more order and display, and very slowly; perhaps because it would be considered unbecoming in the bridegroom to hasten home to take possession of his bride. It is headed, as before, by musicians, and two or more bearers of mesh’als. These are generally followed by two men, bearing, by means of a pole resting horizontally upon their shoulders, a hanging frame, to which are attached about sixty or more small lamps, in four circles, one above another, the uppermost of which circles is made to revolve, being turned round occasionally by one of the two bearers. These numerous lamps, and several mesh’als beside those before mentioned, brilliantly illumine the streets through which the procession passes, and produce a remarkably picturesque effect. The bridegroom and his friends and other attendants follow, advancing in the form of an oblong ring, all facing the interior of the ring, and each bearing in his hand one or more wax candles, and sometimes a sprig of henna or some other flower, excepting the bridegroom and the friend on either side of him. These three form the