An account of the manners and customs of the modern EgyptiansLane, Edward William
History
An account of the manners and customs of the modern Egyptians
Lane, Edward William
Egypt -- Social life and customs
The most usual architectural style of the entrance of a private house in
Cairo is shown by the sketch here inserted. The door is often ornamented
in the manner here represented: the compartment in which is the
inscription, and the other similarly-shaped compartments, are painted
red, bordered with white; the rest of the surface of the door is painted
green. The inscription, “He (_i.e._, God) is the excellent Creator, the
Everlasting” (the object of which will be explained when I treat of the
superstitions of the Egyptians), is seen on many doors; but is far from
being general. It is usually painted in black or white characters. Few
doors but those of large houses are painted. They generally have an iron
knocker and a wooden lock; and there is usually a mounting-stone by the
side.
[Illustration: DOOR OF A PRIVATE HOUSE.]
The ground floor apartments next the street have small wooden grated
windows, placed sufficiently high to render it impossible for a person
passing by in the street, even on horseback, to see through them. The
windows of the upper apartments generally project a foot and a half, or
more, and are mostly formed of turned wooden lattice-work, which is so
close that it shuts out much of the light and sun, and screens the
inmates of the house from the view of persons without, while at the same
time it admits the air. They are generally of unpainted wood; but some
few are partially painted red and green, and some are entirely painted.
A window of this kind is called a “róshan,” or, more commonly, a
“meshrebeeyeh,” which latter word has another application, that will be
mentioned below. Several windows of different descriptions are
represented in some of the illustrations of this work; and sketches of
the most common patterns of the lattice-work, on a larger scale, are
here inserted.[17] Sometimes a window of the kind above described has a
little meshrebeeyeh, which somewhat resembles a róshan in miniature,
projecting from the front, or from each side. In this, in order to be
exposed to a current of air, are placed porous earthen bottles, which
are used for cooling water by evaporation. Hence the name of
“meshrebeeyeh,” which signifies “a place for drink,” or “—for drinking.”
The projecting window has a flat one of lattice-work, or of grating of
wood, or of coloured glass, immediately above it. This upper window, if
of lattice-work, is often of a more fanciful construction than the
others, exhibiting a representation of a basin with a ewer above it, or
the figure of a lion, or the name of “Allah,” or the words “God is my
hope,” etc. Some projecting windows are wholly constructed of boards,
and a few have frames of glass in the sides. In the better houses, also,
the windows of lattice-work are now generally furnished with frames of
glass in the inside, which in the winter are wholly closed: for a
penetrating cold is felt in Egypt when the thermometer of Fahrenheit is
below 60°. The windows of inferior houses are mostly of a different
Public-domain text, read in full here on John Shaqi.
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