An African Millionaire: Episodes in the Life of the Illustrious Colonel ClayAllen, Grant
Philosophy
An African Millionaire: Episodes in the Life of the Illustrious Colonel Clay
Allen, Grant
Detective and mystery stories
Next day, at ten-thirty, we started on our drive. Our team has been
considered the best in Sussex. Charles is an excellent, though
somewhat anxious--or, might I say better, somewhat careful?--whip.
He finds the management of two leaders and two wheelers fills his
hands for the moment, both literally and figuratively, leaving very
little time for general conversation. Lady Belleisle of Beacon
bloomed beside him on the box (her bloom is perennial, and applied
by her maid); Dr. Polperro occupied the seat just behind with myself
and Amelia. The Doctor talked most of the time to Lady Vandrift: his
discourse was of picture-galleries, which Amelia detests, but in
which she thinks it incumbent upon her, as Sir Charles's wife, to
affect now and then a cultivated interest. Noblesse oblige; and the
walls of Castle Seldon, our place in Ross-shire, are almost covered
now with Leaders and with Orchardsons. This result was first arrived
at by a singular accident. Sir Charles wanted a leader--for his
coach, you understand--and told an artistic friend so. The artistic
friend brought him a Leader next week with a capital L; and Sir
Charles was so taken aback that he felt ashamed to confess the
error. So he was turned unawares into a patron of painting.
Dr. Polperro, in spite of his too pronouncedly artistic talk, proved
on closer view a most agreeable companion. He diversified his art
cleverly with anecdotes and scandals; he told us exactly which
famous painters had married their cooks, and which had only married
their models; and otherwise showed himself a most diverting talker.
Among other things, however, he happened to mention once that he
had recently discovered a genuine Rembrandt--a quite undoubted
Rembrandt, which had remained for years in the keeping of a
certain obscure Dutch family. It had always been allowed to be a
masterpiece of the painter, but it had seldom been seen for the
last half-century save by a few intimate acquaintances. It was a
portrait of one Maria Vanrenen of Haarlem, and he had bought it
of her descendants at Gouda, in Holland.
I saw Charles prick up his ears, though he took no open notice.
This Maria Vanrenen, as it happened, was a remote collateral
ancestress of the Vandrifts, before they emigrated to the Cape in
1780; and the existence of the portrait, though not its whereabouts,
was well known in the family. Isabel had often mentioned it. If it
was to be had at anything like a reasonable price, it would be a
splendid thing for the boys (Sir Charles, I ought to say, has two
sons at Eton) to possess an undoubted portrait of an ancestress
by Rembrandt.
Public-domain text, read in full here on John Shaqi.
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