“What did they do with the house, Margaret?” he asked, over and over, a
furtive gleam of anxiety in his eyes. “They didn’t tear it down; did
they?”
He waxed increasingly anxious on this point as the years of his
imprisonment dwindled at last to months. And then her dream had
unexpectedly come true. She had money—plenty of it—and nothing stood in
the way. She could never forget the day she told him about the house.
Always she had tried to quiet him with vague promises and imagined
descriptions of a place she had completely forgotten.
“The house is ours, father,” she assured him, jubilantly. “And I am
having it painted on the outside.”
“You are having it painted on the outside, Margaret? Was that
necessary, already?”
“Yes, father.... But I am Lydia. Don’t you remember? I am your little
girl, grown up.”
“Yes, yes, of course. You are like your mother— And you are having the
house painted? Who’s doing the job?”
She told him the man’s name and he laughed rather immoderately.
“He’ll do you on the white lead, if you don’t watch him,” he said. “I
know Asa Todd. Talk about frauds— You must be sure he puts honest
linseed oil in the paint. He won’t, unless you watch him.”
“I’ll see to it, father.”
“But whatever you do, don’t let ’em into my room,” he went on, after a
frowning pause.
“You mean your library, father? I’m having the ceiling whitened. It—it
needed it.”
“I mean my bedroom, child. I won’t have workmen pottering about in
there.”
“But you won’t mind if they paint the woodwork, father? It—has grown
quite yellow in places.”
“Nonsense, my dear! Why, I had all the paint upstairs gone over—let me
see—”
And he fell into one of his heavy moods of introspection which seemed,
indeed, not far removed from torpor.
When she had at last roused him with an animated description of the
vegetable garden, he appeared to have forgotten his objections to
having workmen enter his chamber. And Lydia was careful not to recall
it to his mind.
She was still sitting before his desk, ostensibly absorbed in the rows
of incomprehensible figures Deacon Whittle, as general contractor, had
urged upon her attention, when Martha again parted the heavy cloud of
her thoughts.
“The minister, come to see you again,” she announced, with a slight but
mordant emphasis on the ultimate word.
“Yes,” said Lydia, rousing herself, with an effort. “Mr. Elliot, you
said?”
“I s’pose that’s his name,” conceded Martha ungraciously. “I set him in
the dining room. It’s about the only place with two chairs in it; an’ I
shan’t have no time to make more lemonade, in case you wanted it, m’m.”
Chapter XIV.
The Reverend Wesley Elliot, looking young, eager and pleasingly worldly
in a blue serge suit of unclerical cut, rose to greet her as she
entered.
“I haven’t been here in two or three days,” he began, as he took the
hand she offered, “and I’m really astonished at the progress you’ve
been making.”
He still retained her hand, as he smiled down into her grave,
preoccupied face.
Public-domain text, read in full here on John Shaqi.
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