It was such a face that Joy Irving, the new organist of St Blank’s
Church, flashed upon the people who had lingered near the door to see her
pass out. Among those who lingered was the Baroness; and all day she
carried about with her the memory of that sparkling countenance; and
strive as she would, she could not drive away a vague, strange uneasiness
which the sight of that face had caused her.
Yet a vision of youth and beauty always made the Baroness unhappy, now
that both blessings were irrevocably lost to her.
This particular young face, however, stirred her with those half-painful,
half-pleasurable emotions which certain perfumes awake in us—vague
reminders of joys lost or unattained, of dreams broken or unrealised.
Added to this, it reminded her of someone she had known, yet she could
not place the resemblance.
“Oh, to be young and beautiful like that!” she sighed as she buried her
face in her pillow that night. “And since I cannot be, if only Alice had
that girl’s face.”
And because Alice did not have it, the Baroness went to sleep with a
feeling of bitter resentment against its possessor, the beautiful young
organist of St Blank’s.
CHAPTER IX
UP in the loft of St Blank’s Church the young organist had been
practising the whole morning. People paused on the street to listen to
the glorious sounds, and were thrilled by them, as one is only thrilled
when the strong personality of the player enters into the execution.
Down into the committee-room, where several deacons and the young rector
were seated discussing some question pertaining to the well-being of the
church, the music penetrated too, causing the business which had brought
them together, to be suspended temporarily.
“It is a sin to talk while music like that can be heard,” remarked one
man. “You have found a genius in this new organist, Rector.”
The young man nodded silently, his eyes half closed with an expression of
somewhat sensuous enjoyment of the throbbing chords which vibrated in
perfect unison with the beating of his strong pulses.
“Where does she come from?” asked the deacon, as a pause in the music
occurred.
“Her father was an earnest and prominent member of the little church
down-town of which I had charge during several years,” replied the young
man. “Miss Irving was scarcely more than a child when she volunteered
her services as organist. The position brought her no remuneration, and
at that time she did not need it. Young as she was, the girl was one of
the most active workers among the poor, and I often met her in my visits
to the sick and unfortunate. She had been a musical prodigy from the
cradle, and Mr Irving had given her every advantage to study and perfect
her art.
Public-domain text, read in full here on John Shaqi.
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