New York (N.Y.) -- Social life and customs -- 19th century -- Fiction
From a reverie which may or may not have resembled this if it had been
made into actual language, the sudden spontaneous flight of the whole
charming flock roused poor ruminative Claire. She now perceived that the
funeral train had drawn much nearer. A sort of metallic resonance
sounded from the many horse-hooves on the hard surface of the road. But
another sound, at this point, turned her attention elsewhere. It was a
cracked, thin, piping voice, and its utterances were delivered only a
short distance from her side. She discovered that an old man had joined
her on the bridge during her absorbed preoccupation with the pigeons. He
was a very old man; he leant on a staff, and was clad in an evident
holiday-attire of black, whose rusty broadcloth hung about his shrunken
shape with tell-tale looseness; it had too evidently been cut for a far
more portly person. He had a wrinkled face, and yet one of rubicund
plumpness; a spot of red flushed each cheek, centring in a little
crimson net-work of veins there, while the same peculiarity cropped out
a third time, as it were, on the ball-like lump at the end of his
irregular nose. Claire had a feeling, as she looked at him, that he was
a reformed toper. Everything about him told of present sobriety, but he
was like a colored lantern seen without the illuminative candle; you had
a latent certainty, as you regarded him, that only a few glasses of
sufficiently bad liquor were needed to warm up those three red spots
into their old auroral splendor. While speaking, he put forth a brown
hand that trembled a good deal. The tremor came, no doubt, from senile
feebleness, and the hand was so gnarled and knotty that it might almost
have been one of those rough excrescences which sometimes bulge from
tree-trunks, instead of the sad rheumatic member that it really was. The
new-comer spoke with an extremely strong Irish accent, and in a hollow,
husky voice that implied, on first hearing it, a kind of elfin and
subterranean origin.
"Begorra, ma'am, here it is, ma'am! I'm alludin' to the funeral, ma'am.
Shure I made th' ould woman dresh me up in mee besht clothes thish day,
ma'am, so I did. Fur it's Mishter Bairned McCafferty that's to be buried
thish day, I sez, ma'am, sez I to th' ould woman, I sez, an' sez I, ever
since I haird he wasn't expected, I sez, it's his wake I wants to be
goin' to. An' if I wus too ould, I sez, to crossh over an' pay mee
respechts when they waked him in the city, sez I, it'll be meeself, I
sez, that'll shtand here an' watch 'em parade 'im to Calvary, ma'am, sez
I."
Claire had a pity for the old man, at first. But before his speech ended
he had roused in her a repulsion. He appeared quietly hilarious; he had
produced several distinct chuckles, and his watery, peering eyes, which
one of his misshapen hands soon shaded, revealed an actually gay
twinkle.
"I don't see why you wanted to come out and watch the person go to his
grave," said Claire. "What pleasure can that possibly give you?"
Public-domain text, read in full here on John Shaqi.
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