New York (N.Y.) -- Social life and customs -- 19th century -- Fiction
"If he sold liquor all his life and died of it himself," she exclaimed,
with heat and force, "he doesn't deserve to have half so large a
funeral. And I think it's dreadful," she went on, with a little angry
stamp of the foot, while she lifted one finger and shook it at the old
man in a way with which her sex had doubtless familiarized him at an
earlier stage in his long career--"yes, I think it's perfectly horrible
that you people should ever dare to get drunk at funerals as you do! I
often see the carriage-loads come back from the cemetery through
Greenpoint, laughing and smoking, and sometimes yelling and swearing as
well! Oh, I don't know how you _can_ do it! There is something so grand,
so terrible about death! You ought to be ashamed, all of you! Such
actions make this place more sad and wretched than it really is. It is a
miserable place enough, Heaven knows!"
She moved away from the old man as she spoke the last sentence. Going
forth upon the road, she retraced her steps in the direction of the
town, and thus met each separate vehicle of the long funeral as it
stole laggingly onward. First came the black-and-gilt hearse, flaunting
its interior coffin with horrid ostentation, as though it wanted you to
see how many wreaths and crosses had been lavished upon the remains of
Mr. McCafferty by his bereaved constituents. Then followed a carriage to
whose driver had been confided a capacious wooden box which would
doubtless receive the coffin before its interment, and into which the
driver, having placed its glaring unpainted mass on a line with the
dashboard, had thrust his feet, and by the act engulfed, as it were,
nearly half his person. He was a man of sallow, cadaverous visage and
very gaunt frame; he looked as if he might possess some eerie fellowship
with the corpse itself; he seemed to alter the popular phrase about
having a foot in the grave, and to make it quite thinkable that life
could exist under still more moribund conditions. In the conveyance
which he drove was a group of four people. Two of them were stout
Irishwomen, swathed in crape, and two were middle-aged Irishmen, dressed
with a holiday smartness. In this vehicle silence appeared to reign; its
occupants, all four, sat with lowered eyes. But in the other carriages,
as one by one passed Claire, not a sign of grief was manifest. There was
a good deal of audible conversation; there was considerable leaning of
heads out of windows; there were not a few querulous children of various
ages, some of whom had been given oranges to suck or sticks of striped
candy to munch; there were buxom women and spare women, massive men and
slim men, little girls and little boys, all huddled together, quite
often three or even more on a seat. But in the whole long panorama of
human visages, as it glided past her, Claire could not discern a single
trace of solemnity. The impression of mere hollow and senseless form was
produced, by this crude _cortège_, with complete and dismal success.
Public-domain text, read in full here on John Shaqi.
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