Americans -- England -- Fiction; Girls -- Fiction; London (England) -- Fiction
'It's a fact,' said Mr. Mafferton; 'one always does think of the old
chap with the arrow sticking in him. Burne-Jones or one of those
fellows ought to paint it--the forest, you know, twilight, and the
charcoal-burner in a state of funk. Tremendously effective--though, I
daresay, it's been done scores of times.'
'And sold to be lithographed in advertisements!' I added.
'Ah, Miss Wick, that is the utilitarian American way of looking at
things!' Mr. Mafferton remarked, jocularly; and I don't think I could
have been expected to refrain from telling him that I had in mind a
certain soap not manufactured in America.
When we got as far as Henry the Second, Curtmantle, whom Madame Tussaud
describes as a 'wise and good king,' and who certainly has an amiable,
open countenance, I noticed that all the crowns were different, and
asked Mr. Mafferton about it--whether at that time every king had his
crown made to order, and trimmed according to his own ideas, or had to
take whatever crown was going; and whether it was his to do as he liked
with, or went with the throne; and if the majority of the kings had
behaved properly about their crowns, and where they all were. But if Mr.
Mafferton knew, he chose to be equivocal--he did not give me any answer
that I feel I could rely upon sufficiently to put into print. Then we
passed that nice brave crusading Richard the First, surnamed Coeur
de Lion, in some domestic argument with his sweet Berengaria; and Mr.
Mafferton, talking about her, used the expression, 'Fair flower of
Navarre.' But at that time he was carrying the catalogue.
King John I thought delightful; I could not have believed it possible
to put such a thoroughly bad temper into wax, and I said so to Mr.
Mafferton, who agreed with me, though without enthusiasm. 'The worst
king who ever sat on the English throne!' I repeated, meditatively,
quoting from Madame Tussaud--'that's saying a great deal, isn't it, Mr.
Mafferton?' My escort said No, he couldn't say he thought it represented
such an acme of wickedness, and we walked on, past swarthy little sad
Charles the Second, in armour and lace, who looks--and how could he
help it?--as if he were always thinking of what happened to his sire--I
suppose the expression 'poppa' is unknown among royalties. Mr. Mafferton
would not agree to this either; he seemed to have made up his mind not
to agree to anything further.
I should like to write a whole chapter about Henry the Eighth as he
looked that day, though I daresay it is an habitual expression, and you
may have seen it often yourself. He was standing in the midst of a
group of ladies, including some of his wives, stepping forward in an
impulsive, emotional way; listening, with grief in both his eyes, to the
orchestra's rendition of
Bury! Bury! Let the grave close o'er.
Public-domain text, read in full here on John Shaqi.
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