An American Patrician, or The Story of Aaron Burr: IllustratedLewis, Alfred Henry
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An American Patrician, or The Story of Aaron Burr: Illustrated
Lewis, Alfred Henry
Burr, Aaron, 1756-1836
Madam Bellamy steps to the window. The master of the voice is swinging
from the saddle, while the doctor’s groom takes his horse--sweating from
a brisk gallop--by the bridle.
“Here he comes now,” says Madam Bellamy, at the sound of a springy step
in the hall.
The youth, who so confidently enters the doctor’s study, is in his
nineteenth year. His face is sensitive and fine, and its somewhat
overbred look is strengthened and restored by a high hawkish nose. The
dark hair is clubbed in an elegant cue. The skin, fair as a girl’s,
gives to the black eyes a glitter beyond their due. These eyes are the
striking feature; for, while the eyes of a poet, they carry in their
inky depths a hard, ophidian sparkle both dangerous and fascinating--the
sort of eyes that warn a man and blind a woman.
The youth is but five feet six inches tall, with little hands and
feet, and ears ridiculously small. And yet, his light, slim form is so
accurately proportioned that, besides grace and a catlike quickness, it
hides in its molded muscles the strength of steel. Also, any impression
of insignificance is defeated by the wide brow and well-shaped head,
which, coupled with a steady self-confidence that envelops him like an
atmosphere, give the effect of power.
As he lounges languidly and pantherwise into the study, he bows to Madam
Bellamy and the good doctor.
“You had quite a canter, Aaron,” remarks Madam Bellamy.
“I went half way to Litchfield,” returns the youth, smiting his glossy
riding boot with the whip he carries. “For a moment I thought of seeing
my sister Sally; but it would have been too long a run for so warm a
day. As it is, poor Warlock looks as though he’d forded a river.”
The youth throws himself carelessly into the doctor’s easy-chair. That
divine clears his throat professionally. Foreseeing earnestness if not
severity in the discourse which is to follow, Madam Bellamy picks up her
needlework and retires.
When she is gone, the doctor establishes himself opposite the youth. His
manner is admonitory; which is not out of place, when one remembers that
the doctor is fifty-five and the youth but nineteen.
“You’ve been with me, Aaron, something like eight months.”
The black eyes are fastened upon the doctor, and their ophidian glitter
makes the latter uneasy. For relief he rebegins his short-paced trot up
and down.
Renewed by action, and his confidence returning, the doctor commences
with vast gravity a kind of speech. His manner is unconsciously pompous;
for, as the village preacher, he is wont to have his wisdom accepted
without discount or dispute.
Public-domain text, read in full here on John Shaqi.
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