Long before the first standard came near he knew it was a Woman
Suffrage parade, and before he could get a view of the women carrying
it, he read the inscription on the banner:
Forward out of Error,
Leave behind the night;
Forward through the darkness,
Forward into Light.
Then the standard bearers were opposite him. The one nearest to him was
an exceedingly pretty young woman, as was also the second one, but as
his eyes rested upon the one farthest away he gave a startled
exclamation that attracted the attention of those around him.
"My mystery! Again she has dropped from the clouds!" The object of his
interest was a tall young woman, scarcely more than twenty-five years of
age, gowned in white cloth with black trimmings, with a white hat turned
straight up on the left side and lined in black. She showed grace and
energy in every movement and intellect and force in every glance.
Her large, sapphire-blue eyes gleamed with the intensity of her
feelings, and the touches of bronze hair that could be seen beneath her
hat gave evidence of the vivacious character of her life.
As she marched with queenly grace at the head of this mighty host of six
thousand American women, Dr. Earl had visions of the reality of the myth
or history, whichever it may be, of Semiramis invading Assyria and the
Amazons conquering Asia.
The entire line of march was no doubt interesting, but the head of the
column was absorbing to our hero, so block after block he marched as
nearly abreast of the banner on the sidewalk as a dense crowd would
permit him, and when the column broke ranks at Union Square he was there
to witness it.
No sooner did the mysterious banner bearer quit the march than she
rushed to the custodian of the posters, and, gathering an armful, she
coaxed, or with mock heroics terrorized, every person she approached
into buying one for "the good of the Cause!"
Earl was certain his heart would never beat again when she asked him in
deep, musical tones to "Please buy one for the Cause." He did so, and
loitered around watching her a few moments longer, then started up
Broadway.
When he swung into Fifth Avenue he was impressed again, as he had been
when he came from the boat, with the changed atmosphere of the street.
He had always read the mood of New York in its silent reflection in this
expressive part of the city's physiognomy. Long ago, he had discovered
that Fifth Avenue smiles or weeps, applauds or hisses, effervesces with
enthusiasm or gazes somberly like the image of despair, revels in
fervent expressions of patriotism or looks with gloomy distrust upon
public affairs--all according to the mood of the dominant portion of New
York's population--those who control the destinies of the huge private
enterprises that are the marvel of the age, and the management of which
means so much in the way of industrial slavery or economic freedom to
the American people.
Public-domain text, read in full here on John Shaqi.
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