An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country. — John Shaqi
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
Produced by Chuck Greif and the Online Distributed
Proofreading Team at http://www.pgdp.net (This file was
produced from images available at The Internet Archive)
AN
ARCHITECT'S NOTE-BOOK
IN
SPAIN
_PRINCIPALLY ILLUSTRATING THE_
DOMESTIC ARCHITECTURE OF THAT COUNTRY.
BY
M. DIGBY WYATT, M.A.
SLADE PROFESSOR OF FINE ART IN THE UNIVERSITY OF CAMBRIDGE, &C.
WITH ONE HUNDRED OF THE AUTHOR'S SKETCHES,
REPRODUCED BY THE AUTOTYPE MECHANICAL PROCESS.
LONDON:
AUTOTYPE FINE ART COMPANY (LIMITED),
_36, RATHBONE PLACE._
TO
OWEN JONES, ESQ.
KNIGHT OF THE ORDERS OF SAINTS MAURICE AND LAZARUS OF ITALY, AND OF
LEOPOLD OF BELGIUM, MEMBER OF THE ROYAL ACADEMY OF SAINT FERDINAND OF
SPAIN, &C., &C., &C.
_My dear Owen,
_The last book I wrote I dedicated to my brother by blood; the
present I dedicate to you--my brother in Art. Let it be a record of
the value I set upon all you have taught me, and upon your true
friendship._
_Ever yours,_
M. DIGBY WYATT.
37, Tavistock Place, W.C.
October, 1872.
PREFACE.
Before quitting England for a first visit to Spain in the Autumn of
1869, I made up my mind both to see and draw as much of the
Architectural remains of that country as the time and means at my
disposal would permit; and further determined so to draw as to admit of
the publication of my sketches and portions of my notes on the objects
represented, in the precise form in which they might be made. I was
influenced in that determination by the consciousness that almost from
day to day the glorious past was being trampled out in Spain; and that
whatever issue, prosperous or otherwise, the fortunes of that much
distracted country might take in the future, the minor monuments of Art
at least which adorned its soil, would rapidly disappear. Their
disappearance would result naturally from what is called "progress" if
Spain should revive; while their perishing through neglect and wilful
damage, or peculation, would inevitably follow, if the ever smouldering
embers of domestic revolution should burst afresh into flame. Such has
been the invariable action of those fires which in all history have
melted away the most refined evidences of man's intelligence, leaving
behind only scanty, and often all but shapeless, relics of the richest
and ripest genius.
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