An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country. — John Shaqi
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
"The fabrick is very fair, with four towers at the four corners, but
coming to it, one knows not which way to enter, for as soon as out of
the great walk, in a kind of Piazza, you see only little doors, which,
when you are over it, lead into two pavilions, that contain offices and
lodgings for some of the Court; when you have well viewed this side of
the square, you come to that which is towards the mountain, where there
is a very large magnificent portal, on each side beautify'd with
pillars; by this stately gate you enter a quadrangle, where right over
against it stands the Church, ascended to it by a stair of five or six
steps, as long as the Court is large, extending from one side of it to
the other, very fair columnes support the porch, and on the top of the
wall stand six statues, the middlemost of which are David and Solomon,
by whom they would represent Charles the Fifth, and Philip the Second.
About the church are many pavillions, all comprehended in the exact
square which environs that building. Report mentions many Bascourts, but
we could not reckon above seven or eight. That this is a very fair
cloyster for Friers cannot be denied, neither can it be allowed to be a
pallace magnificent enough for such a monarch as Philip the Second, who
having built it in one-and-twenty years, and enjoyed it twelve or
thirteen, boasted, that from the foot of a mountain and his closet, with
two inches of paper, he made himself obeyed in the Old and New World.
"The King and Queen's apartments have nothing in them that appears
roial, they are altogether unfurnished, and they say, when the King goes
to any of his houses of pleasure, they remove all to the very bedsteads;
the rooms are little and low; the roofs not beautiful enough to invite
the eyes to look up to them; its many pictures of excellent masters, and
especially of Titian, that wrought a great while there, are very much
vaunted, yet there are not so many as report gives out. The Spaniards
have so little understanding of pictures, they are alike taken with all,
and the Marquis Serragenovese, that accompanied us, sufficiently laughed
at the foolishness of a Castillian, who, willing to have us admire the
slightest and wretchedest landskipes of a gallery where we were, told us
nothing could equalize them, because in a place where their King
sometimes walked. There are yet in the vestry some good pieces,
especially a Christ, and Mary Magdalen; and in the Church others very
estimable. For paintings in fresco, the quire, done by Titian, is
doubtlessly an excellent work, and so is the library, I think by the
same hand, where amongst the rest is represented the ancient Roman
manner of defending criminals, who stand by bound hand and foot; Cicero
is also there pleading for Milo, or some other, I not being sufficiently
acquainted with his meen, to be positive, and without apprehension of
mistaking; this library is truly very considerable, as well for its
Public-domain text, read in full here on John Shaqi.
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