An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.Wyatt, M. Digby (Matthew Digby), Sir
History
An Architect's Note-Book in Spain: principally illustrating the domestic architecture of that country.
Wyatt, M. Digby (Matthew Digby), Sir
Architecture -- Spain
"Over against the great altar, where all is so well proportioned, they
wish away a silver lamp, whose size corresponds not with that of the
place it burns in, which is vast and large. In the Pantheon they find
great fault, that all the steps by which it is descended are not marble,
and that the sides of the walls are not incrusted with it, the chappel
being all so, and a like magnificence requisite everywhere. In the
brazen candlestick, the inner part which is not guilded is discerned
amongst the black and foul branches that extend from it. It cost ten
thousand crowns, which is ten times more than it is worth; but it is
common in this country to boast things of excessive price, which they
would have admired on that account, as if because they are foolish
merchants, the ware they buy too dear, were therefore the more valuable.
These are my observations of the so famous Escurial, adorned only by
some small parterras and fountains; one side of it affords a handsome
prospect, but the ground near it is the greatest part rock or heath,
some walks and groves are planted about it, but being cold and windy,
trees thrive not. There are some deer in a kind of park, ill-designed,
and with very low walls, the way to it is nothing pleasant, and the King
who goes thither thrice every year, one of which times is in the winter,
cannot certainly find any great diversion in those journeys, for during
three months all is covered with snow."
Nothing need be added, I think, to so graphic a "boutade" as this,
which, though somewhat satirical, would not appear to have been much too
highly coloured for the occasion.
[Illustration: PLATE 28
SEGOVIA
GATE IN WALLS
MDW 1869]
PLATE XXVIII.
_SEGOVIA_.
GATEWAY IN THE CITY WALLS.
Public-domain text, read in full here on John Shaqi.
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