An Arrow in a Sunbeam, and Other TalesJewett, Sarah Orne
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An Arrow in a Sunbeam, and Other Tales
Jewett, Sarah Orne
United States -- Social life and customs -- 19th century -- Juvenile fiction
I was wide awake that first evening: I was afraid of being sent to bed,
and, to show cousin Agnes that I was not sleepy, I chattered far more
than usual. It was warm, and the windows of the parlour where we sat
looked upon the garden. The moon had risen, and it was light out of
doors. I caught every now and then the faint smell of honeysuckle, and
presently I asked if I might go into the garden a while; and cousin
Agnes gave me leave, adding that I must soon go to bed, else I would be
very tired next day. She noticed that I looked grave, and said that I
must not dread being alone in a strange room, for it was so near her
own. This was a great consolation; and after I had been told that the
tide was in, and I must be careful not to go too near the river wall, I
went out through the tall glass door, and slowly down the wide
garden-walk, from which now and then narrower walks branched off at
right angles. It was the pride of the place, this garden; and the
box-borders especially were kept with great care. They had partly been
trimmed that day; and the evening dampness brought out the faint,
solemn odour of the leaves, which I never have noticed since without
thinking of that night. The roses were in bloom, and the snow-ball
bushes were startlingly white, and there was a long border filled with
lilies-of-the-valley. The other flowers of the season, were all there
and in blossom; yet I could see none well but the white ones, which
looked like bits of snow and ice in the summer shadows,--ghostly
flowers which one could see at night.
It was still in the garden, except once I heard a bird twitter
sleepily, and once or twice a breeze came across the river, rustling
the leaves a little. The small-paned windows glistened in the
moonlight, and seemed like the eyes of the house watching me, the
unknown new-comer.
Public-domain text, read in full here on John Shaqi.
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